waiting for their circulars from the feed companies.â Brian carried his mug to the sink and turned on the tap to rinse it.
Penny had to stop herself from shouting, âLeave it. Just go.â When he turned and she saw the expression on his face, she was ashamed. She gestured towards the canvas on her easel.
âSorry,â she apologised. âItâs not going well.â
Brian squinted at the half-finished painting, a jacket for a romance novel. âLooks good to me. Mam and Betty always say your book covers stand out a mile in Smithâs. Theyâre streets ahead of the others. The only complaintBetty makes is about whatâs inside. According to her, the best bit of the books she reads these days is what youâve put on the outside.â
Penny knew Brian was trying to make her feel better but she still wanted him gone. She went to the door and opened it. âGive my love to Betty and your mother.â
âI will.â He left the mug on the draining board and picked up his bag.
Feeling guilty she called after him. âSee you tomorrow. If I finish the painting, you can give me your verdict. And Iâll remember to buy chocolate biscuits.â
He waved back at her on his way to her parentsâ letter box. She closed the door, took a clean paintbrush and slid the wooden stem into the corner of the envelope. Mouth dry, heart beating erratically, she unfolded the letter, removed the cards and studied the photograph.
She hadnât seen it before, of that much she was certain. She couldnât even remember it being taken. But there was no mistaking the four people pictured. Two young couples smiled directly into the camera lens from the deck of a yacht. Their arms were so tightly entwined it was difficult to work out which limb belonged to which body. Given the boysâ long hair and the cut of her and Kateâs bikinis it could have been a vintage advertisement aimed at luring holidaymakers to Cape Cod. Scrawled across the corner in a familiar hand was Bobby , Sandy and their girls .
Penny couldnât bear to look at it.
She opened the drawer she kept her stationery in, pushed the photograph beneath a pile of envelopes and slammed it shut. Then she checked the name and addresson the back of the envelope. Not that she needed to. She knew exactly whoâd sent it, although there were only initials on the handwritten sheet. It had been optimistic of her to think heâd allow Andyâs eighteenth birthday to pass without attempting to get in touch with her â¦
She read the letter and reread it, until it was imprinted on her mind.
There is nothing I wouldnât do for you, or Andrew. But youâve known that for eighteen years.
Love, as always.
Penny slipped the letter into the back pocket of her jeans, opened the french doors, and breathed in the aromas of spring. Damp acidic earth, rosemary and bluebells, the light perfume of apple and cherry blossom; and, overlaying everything, the lingering fragrance of woodsmoke from the cold embers of the bonfire her father and Andy had fed yesterday evening with winterâs dead wood.
It was peculiar how a scent could conjure the past even more effectively than a photograph. It demolished the floodgates sheâd built to hold memories she couldnât bear to dwell on. And, as her defences crumbled, the intervening years washed away. She was back in that summer of 1968.
So many memories. Not all of them painful. Late evening after darkness had fallen, thick and fast. Without light pollution from street lamps, the moon and stars had shone brighter than the neon glares of Broadway. A circle of young people sitting around a campfirein a yard, roasting potatoes and melting cheese, and marshmallows that dripped from the sticks into the flames. Eating â talking â arguing â laughing â demolishing the hidebound institutions of the world and rebuilding them in fairer, more honest modes while
Larry Collins, Dominique Lapierre