scrutinizing Coen. âOdileâs the older. She could sway Caroline. They both became involved with a Jew pimp.â
âIs he from Manhattan, the pimp? Does he walk, or drive a car?â
âHe has a Spanish name, thatâs all I know.â
âGuzmann?â Coen said. âIs it Guzmann. César Guzmann?â
âMaybe.â
âHow did your girls meet César?â
âYou said César, Mr. Coen. I didnât. It might be Alfred, Pepe, Juanito, God knows.â
âWhat were they doing with a pimp, Mr. Child?â
âThis isnât East Hampton, Coen. The pimps cruise around Carolineâs school every morning looking for fresh tail. They fish pretty hard. Several Carbonderry girls have run off with Spics. The school hushes it up. You canât keep a chastity belt on Amsterdam Avenue.â
âYou think your daughterâs with this pimp then? If your niece was mixed up with him too, she ought to remember his name.â
âOdile? You wonât get much from her. Sheâs Carrieâs conspirator. She plays dumb.â
âStill, it canât hurt. Iâd like to ask her a few things.â
âIâd rather you didnât, Coen. Pimloe can tell you about Odile. He talked to her once. She started stripping for him in the middle of a conversation. Sheâll steer you wrong, Coen, and try to win you over. Anyway, my own men have questioned her. Detectives from the agency I hired.â
âWhat did she give them, Mr. Child?â
âI told you. Nothing. The little bitch loves to perform for detectives.â
Child handed him photographs of Caroline and the detectivesâ report, which came in a large brown envelope with scalloped edges, the hallmark of that particular agency. The scallops annoyed Coen. He figured the detectives were soaking Child. The girl in the photographs had mousy features and hair like straw. Her neck, her stingy jawline, the bones behind her ears, had little to do with Child. Coen peeked inside the envelope. There were bloated expense vouchers, news of âsuspicious vehiclesâ parked near the Carbonderry School, hints of white slavery. Coen couldnât believe anybody would bother to capture so homely a prize.
âThey think she may be in Peru,â Child said. Coen smiled to himself. The Guzmanns came from Peru, where they had cousins who were pickpockets, city bandits, and confidence men; these cousins could have swallowed up a hundred New York girls, at Papa Guzmannâs request.
âSome money,â Child said, drawing six hundred-dollar bills from a wood box. âPimloe says no cop buys information like Manfred Coen.â
âFor six little ones I can buy the world, Mr. Child.â
âKeep it,â Child said, squeezing the money into Coenâs palm. âPeruâs a lonesome place.â
Coen played with the lamp outside Childâs apartment. He sat the shade on a chair and passed each of Childâs hundred-dollar bills over the bulb. He looked for Pimloeâs marks under the treasury numbers. The money was clean.
Child was considering the details of his Harold Pinter festival when he heard a knock inside his dumbwaiter. He dismissed it as a nuisance, rats among the cables, or the superintendentâs boy farting in the shaft. Should he open with The Dwarfs or The Birthday Party ? Should he go with native Americans, or import an English cast? He was fifty thousand dollars shy. He would have to make Odile run a little harder for the money. He wouldnât finance musicals. He would have nothing to do with gauche mystery plays. He resisted vehicles for resurrected movie stars, even though he could have been guaranteed a return of a hundred thousand a year.
Vander was a purist on the question of which shows he would back. He expected to lose his money. His father, also Vander Child, but a richer man, had left Vander II with a taste for croissants and a love for âle