Blowback (The Nameless Detective) Read Online Free PDF Page A

out of sight, and then walked out to where I could see them.
    Only there was not much to see. It was about as innocent a scene as you could imagine. A lanky guy wearing chinos and sneakers and a blue polo shirt was sitting on a pine stump in close to where half a cord of firewood was stacked against the cabin wall; his left arm cradled a large sketchpad and his right hand held a piece of charcoal poised over it. Fifteen feet away from him, sitting tailor-fashion in a patch of bright green grass, was a busty redhead in white flared-bottom slacks and the kind of sleeveless pullover that looks as if half of it is missing and leaves the stomach bare. Both of them were looking toward me, the guy—Bascomb—without much of any expression and Angela Jerrold with guileless interest.
    I felt both relief and disappointment and was not sure which of them was the stronger. I put on a smile and said, “Hi. I was just wandering around, getting acquainted with the camp, and I heard voices back here and thought I'd come introduce myself. I hope I'm not intruding.”
    “No, that's all right,” Bascomb said, but he did not smile.
    Mrs. Jerrold got to her feet, slowly, and whether consciously or unconsciously she made it seem like a showcase number. Nothing overt; it was all subtle suggestion. When she moved toward Bascomb—as I moved toward him from a different angle, like a pair of cops converging on a subject—there was no exaggerated hip-sway or breast-bouncing. Her movements were clean and economical; she knew what kind of body she had, and that it was so ripe already, artifice of any sort would only have spoiled its effect.
    She had a smile for me, even if Bascomb didn't. She said, “Are you a new guest?”
    I said I was, for a few days at least, and we exchanged names and shook hands all around. Bascomb's was hard and firm, Mrs. Jerrold's soft and firm. He was about forty, good-looking in a smooth, ascetic way, with silvering hair combed into a widow's peak and eyes that were gray, steady, unreadable. She was a couple of years on the fair side of thirty, and she wore her hair in long layered waves that made her look a little like Raquel Welch. Her breasts were very large, too, the type that some men found exciting; I thought they were a little too much of a good thing. Her skin was a rich light-brown color, silky in texture, and her mouth was sensual without being pouty. Up close this way she projected an aura of sexuality that was almost hypnotic; in spite of myself, I could feel the palms of my hands turn moist and I found my eyes settling on her twice as often as they did on Bascomb.
    She said, “My husband and I are in Six, the next cabin down. He went out hunting, and so I came up here to bother Walt for a while.”
    “Hardly a bother,” Bascomb said dryly.
    “I've been trying to get him to sketch me ever since we met,” she said to me. “Walt's an artist, you know.”
    “So I see.”
    She took the sketchpad from him and held it up so that both of us could look at the charcoal drawing on the open page. It was pretty much finished—a very good likeness of her as she had looked sitting in the plot of grass. But in his portrayal he had taken some of the softness out of her, some of the veneer—if that's all it was—of innocence. Her beauty as he had interpreted it was almost that of a predator.
    Mrs. Jerrold seemed not to notice this; or if she did, she did not change expression. She asked me, “What do you think?”
    “Nice work,” I said.
    “Oh yes. Walt, you must let me have it.”
    “Won't your husband mind?”
    “Why should he?”
    “You can answer that better than I can.”
    “He won't mind. He appreciates good artwork.”
    “I'm sure he does.”
    Bascomb said that last a little stiffly, looked at her for a long moment, and then took the sketchpad back. He tore out the drawing, handed it to her, said “Nice meeting you” to me, and went over and sat on the stump again. Dismissed, both of us. I watched