that literature is my husband and books are my children. The only way for me to get married is either to divorce literature or to take a second husband.
9. Since divorcing literature is out of the question and since there is no man among mankind who would agree to become “husband number two,” in all likelihood, I will be single all my life.
10. Herewith this piece of paper is my manifesto.
I lean back and wait for the woman to finish reading. She is lagging behind, mouthing the words syllable by syllable like a schoolgirl who has just learned the alphabet. The gentle breeze that licks the deck carries the scent of the sea toward us and I taste salt on my tongue. After a few seconds the woman leans back and heaves a sigh, really loud.
I can’t help but feel curious. What did she mean by that? Did she agree with me? Was it a sigh that meant, “You are so right, sister, but this is the way the world is and has always been”? Or did she rather want to say, “You write all this crap, honey, but real life works differently”? I have a feeling it is the latter.
Suddenly I am seized by an urge to needle her. This woman is my Other. She is the kind of woman who has gladly dedicated her life to her home, to her husband and to her sons. Since youth she focused her energy on finding an ideal husband and starting her own family, became a mother before saying farewell to her girlhood, gained weight for the cause, has aged before her time, has allowed her desires to turn into regrets and become sour inside. This woman, with her canned dreams, comfortable social status and bygone aspirations, is my antithesis. Or so I want to believe.
“For a woman, any woman, the right way to engender is through her uterus, not through her brain.” 1 That is what some of the leading male novelists in my country believed. They claimed fiction writing as their terrain, an inherently manly task. The novel was a most rational construct, a cerebral work that required engineering and plotting, and since women were, by definition, emotional beings, they wouldn’t make good novelists. These famous writers saw themselves as “Father Novelists” and their readers as sons in need of guidance. Their heritage makes me suspect that in order to exist and excel in the territory of literature, I, too, might have to make a choice between uterus and brain. If it ever comes to that, I have no doubt as to which one I will choose.
The steamboat is about to arrive at the shore. Unaware of my thoughts the woman next to me leaps to her feet. Gather the bags, pack the chickpeas, ready the boys, bundle the Kalashnikovs, squeeze feet back into shoes . . . In less than thirty seconds she is all packed. Pushing and shoving through the crowd with her boys by her side, she moves toward the exit, away from me.
Only then, only when the woman gets up, do I notice something I should have detected before. The woman isn’t overweight. She isn’t even plump. She is heavily pregnant, that’s all. Her belly looks so huge, she could well be expecting twins or triplets.
For some reason unbeknownst to me, this insignificant detail turns my head. But there is no time to muse. The steamboat is at the dock. Everybody springs to their feet in a hurry, swarming chaotically toward the doors. In that commotion, I come eye-to-eye with the man beside me.
“Thank you for the paper. . . .” I say.
“You are most welcome,” he says. “I am happy if I was able to help.”
“Oh, you were,” I say. “Just curious, what is Shooting Star Marketing?”
“We are a new company specializing in products for mothers and newborn babies,” he says. “Electronic milk pumps, bottle warmers and things like that. . . .”
The man’s smile blossoms into a grin. Or maybe it just looks that way to me. Suddenly it feels like somewhere in that bright blue sky where the sun has now begun to descend, the angels are pointing their milky-white fingers at me, making fun. There is an irony, when I
Theresa Marguerite Hewitt