carefully, lifting his wrists to vertical one after the other, pushes up his sleeves; he seems slimmer, more elegant, lights a Lusitania: are all the guys here? Sanche casts a quick glance in the rear-view mirror, all of them, now we’re just waiting for the girl. The pickup pulls in front of them at that exact moment, then speeds ahead – it’s the latest Viper V-10, five hundred horsepower, mounted on twenty-two-inch rims, a beast worth forty-five thousand dollars, Sanche knows it well. Diderot taps his cigar in the ashtray that rattles around above the gearshift. Ah. What’s up with her? Sanche steps on the gas, nothing, she had some problem, personal troubles.
Silence. The plain is a broiled straw mattress with livestock and industrial warehouses clumped together here and there. Diderot watches Sanche’s slim fingers tap the wheel, nervous, taptaptap , leans his head back, contemplates through his tinted glasses the quilted headliner of the Chevrolet and the crusty marks and oozing cracks in the vinyl. He knows what’s going on beneath the surface of their conversation. The little guy said personal troubles and with that he just dealt a first dirty blow to this girl who he’s never met – personal troubles – the words seep psychology, inner torment, they stink of women, personal troubles , what does that even mean? She has her period? – because he knows very well, the little worm, that on a three-billion dollar site (as they say at head office, chests puffed up and smiles to match as they crack open magnums of champagne) – yes, that on a three-billion dollar site, there’s no room for personal troubles, ever.
WE LEAVE the freeway and enter Coca. Sanche drives at the same speed in the left lane, the silence weighs on him, he adds, her grandmother died or something like that and Diderot responds quietly, I don’t give a shit about her grandmother, then rolls down the window with the manual handle, sticks an arm out, estimates the temperature of the air at thirty-seven or thirty-eight, dry heat, continental, nice. We approach the river south of the city and stop in front of a brown brick building in a quiet neighbourhood beside the water, Diderot grabs his bag and opens the door – before he gets out pivots his torso and plants his eyes in Sanche’s own, tomorrow, seven o’clock, site meeting.
THE GIRL’S NAME IS SUMMER DIAMANTIS AND SHE’S cavorting on the other side of the world, in the streets of Bécon-les-Bruyères, sidewalk sunny side pumps and bare legs, in a hurry to pack her bag, having just been informed via the very mouth of the head of the company – a large mouth, yet one of few words, the kind that only forms subject-verb-complement sentences and emphasizes them with a nod of the head – that she will be on the bridge team, so at the moment she’s an ecstatic girl, chosen, named, hired as the manager of concrete production for the construction of the piers. In a hurry to pack her bag because she leaves tomorrow, no joke, tomorrow I leave for Coca, this is what she says to herself as she rushes towards the RER station, I’ll be boarding the plane while my friends are sitting down in front of the TV to watch the finals of the Cup Winners’ Cup, sitting shoulder to shoulder, chests leaning back, feet spread wide and falling onto their outer edges, can of beer balanced on their crotches, held with two fingers, the other hand smoking or cheering, and the Tiger among them will have the knowing silence of one who’s been on the pitch. I’ll take off five hours before my father turns off the TV and crunches a sleeping pill, and just a little after the Blondes, leggy, decorated like reliquaries and made up like crimes, late as always, will emerge on the rooftop of their building to wave to the Boeing 777 as it carries me away . Oh Coca!
This morning, the phone. She’s not sleeping, has had her eyes open for a while now looking at the unfamiliar pair of sneakers near the bed. It’s a call