supplies, Tommy,â she said.
âOh thanks. Yeah, supplies would be great,â he replied.
We watched as he carefully cleaned a camera lens.
âYou really think this Curator is living in the hills?â I asked.
âOh yeah, maybe. Some people I have interviewed have said that,â he replied.
âWhat did they say exactly?â asked Taylor.
Tommy packed the lens away and started on another.
âI met a band living in a small shopping centre in a suburb called Gosnells. Itâs kind of at the bottom of the hills I think. They told me about this guy who used to visit them in a ute sometimes. He would turn up every month or so with fresh fruit and vegetables from the hills and ask them to play him some music in return. They said he could come and go from the centre whenever he wanted, but that they were trapped inside. Like you guys were,â said Tommy, eyes wide like a kid with a ghost story.
I looked across at Taylor. She was pensive.
âAfter a few visits the singer went kind of crazy and asked this guy why the fuck they couldnât leave the shopping centre. The guy said he didnât know and that he couldnât help them. All he suggested was that they write some new songs. They were pretty pissed I think. Theguy never showed up again and they were stuck there for a while,â said Tommy.
âUntil they wrote the songs?â said Taylor.
Tommy beamed and nodded. Lizzy groaned. My stomach contracted.
âWho else?â asked Taylor.
âThere was a dude I met near the uni. He was pretty young and into graffiti art and that kind of thing. He had been sleeping in the top floor apartment of this sweet building near the river for a few weeks. He said that every few nights he would see headlights up in the hills somewhere. This guy moved around a lot, like me I guess, but he had never seen a car anywhere that was still working. Except up in the hills,â said Tommy.
Tommy finished with the lenses. We watched him, waiting to see if there were more stories to come.
âPlus I met a crazy lady who just kept screaming âbitchâ up at the hills,â he added.
Lizzy laughed.
âProbably Rachel,â said Taylor.
âHave you met a trashy single mum with bottle-blonde hair and a gutter mouth?â asked Lizzy.
Tommy laughed. âI donât think so.â
âShe could leave when we couldnât,â Taylor said to herself.
Suddenly I felt flushed and guilty. My thoughts raced to the roller door in Carousel. It had shuddered its way open for me, but hadnât moved for the Finns. What didthis mean? Was it connected to my writing? Or was I somehow the same as Rachel?
âHmm. She sounds like a Patron maybe,â said Tommy.
âWhat the hell is a Patron?â asked Taylor.
âItâs what people call some of the others that didnât disappear. The ones that arenât Artists,â he replied.
âLike the people in the library?â asked Taylor.
Tommy nodded. My head started spinning.
âSo what is this Curator dude planning on doing with all this new art?â asked Lizzy.
âThatâs what I want to ask him in my interview,â said Tommy.
Taylor nodded and looked across at me curiously.
âWhen are our interviews?â asked Lizzy.
âI was hoping tonight,â he replied, smiling.
I stood up and got the hell out of there. I was acting like a weirdo and felt all of their eyes on my back. Outside it was bright and sunny, but the air was still cool from the night. I ignored the cold, pulled off my shirt and plunged deep into the choppy pool. I kicked down to the bottom and sat there in the watery abyss, not wanting to surface until the world had its shit together.
But when I came back up it was all still there waiting for me. The sky, cleaner and bluer than it had ever been. Lizzy and Chess playing fetch on a burnt-out lawn. Taylor pressing Tommy for more details inside our mansion. All