bed in Chandraâs closet, where they lie together, curled around the baby.
âEverythingâs changed,â Monica whispers to Chandra. âWeâre whatâs left over. Weâre safe now, safe,â she sings like a lullaby, her lips pressed to Chandraâs belly.
Chandra doesnât believe in change, which is why she stays home when Monica goes out to do what she can. Still, Chandra stays up all day now, turning on the television often enough to know that she and Monica and their guys no longer matter.
She cooks dinner for Monica and whomever she might bring home, usually Mike, but often a fireman or two, firemen who arenât Bob, though they knew him and still hope to find him as they search for bodies in the ruins of the collapsed buildings.
âHe was there when it happened,â says one of them, a guy
with dark, curly hair whom Monica watches with eyes that seem to possess as they caress, letting Chandra know that heâll be next in her bed.
Chandra calls herself Sandy now, and no one questions that, or her presence in Monicaâs apartment. The city is full of refugees. Sheâs cut her hair short and her face is as round as her belly. Sheâs becoming someone else.
Fascinated by the talk of searching for bodies, she bursts into the conversation: âSomeday theyâll find a body and say itâs mine.â
Everyone at the table looks at her.
âI am officially missing,â she explains. âI might have been in one of those buildings. Or anywhere, in another city. But when they find me, it wonât be me theyâve found, because Iâm here.â
She puts a protective arm around her belly. She hasnât thought much about the baby for the past few weeks, except when it occasionally kicks her ribs. Itâs her only family now. She feels removed from her old family in California, the people to whom sheâll never return, and distant, too, from the babyâs father, whom she thinks of now as its non-father. When she notices the curly-haired fireman looking at her while Monica watches him, she blushes and looks down at the lasagna sheâs made for their dinner.
Monica is offended. âThere are people who really are dead,â she says. âYou arenât missing, youâre right here. You could go home anytime.â
âNot anymore. Iâm not who I was,â Chandra/Sandy murmurs to her plate, feeling herself dissolve, feeling sheâs invisible, even to those beside her, eating the food sheâs put on Monicaâs table.
âHey,â says her new fireman friend, running a hand through
his thick dark hair. âWe all have our reasons for wanting change.â
Monica looks away from him, stuffing a chunk of sausage into her mouth.
What will happen? For this evening, Sandy will take the curly-haired fireman into her closet. Heâs married, he has three kids, he makes love to her rising belly with a sort of worshipful admiration that almost makes her giggle. He says he loves pregnant women. His tongue massages her belly button, then finds its way down the slope to her cunt, which he licks as clean as he licked the dinner off his plate. She puts her hands over his furry back while he rubs his hairy legs against her smooth ones.
He worries she wonât be able to get up off the futon on the floor, but she shows him how easily itâs done, rolling onto her hands and knees, then standing up, panting only a little.
âItâs excellent exercise,â she tells him. âPregnant women go to the gym to learn to do this. Iâve seen them.â She lies down again, snuggling her face into the fur of his chest.
Monica, in her bedroom with Mike, has become the voyeur now, paying more attention to the sounds from the closet than to her own. What will become of this new person, Sandy, and her baby? She still worries about them, but senses they wonât need her. Like everyone else, she wonders what
Clancy Nacht, Thursday Euclid