streets around the apartment building, relieved that the few people she passes donât notice her, even though her face is sometimes on the front page of all the newspapers. Where is she? the headlines ask. Even Chandra isnât sure she knows anymore. The air in the city at night is clear and moist, as though the weight of darkness has pushed all the oil and dust down into the pavement.
Inside, she stands in Monicaâs closet looking out the tiny window at New Yorkâs skyline glittering and flickering through the dark. Sheâs not afraid because she doesnât think sheâll need Mikeâs doctor friend, whom Monica keeps pushing her to see. Everything seems simple: the baby will just come out and be there, unlike its father.
Monica brings old textbooks back from her fatherâs library, books on obstetrics and labor and delivery from a course he took in medical school, and she studies them intently. Even if Chandra isnât interested, Monica wants to be prepared. Mikeâs doctor friend knows a midwife whom Monica consults, a woman named Starbright.
âCall me anytime,â she says. âIâll just come over to talk, to check her over, or deliver the baby. Whatever she wants. Birth is a natural process.â
âThanks,â says Monica, but she canât stop worrying.
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For Chandra and Monica there is no future because their future is already in the past. Who could do better than having the President lick her twat? Unless it was a congressman doing it. All they have to look forward to is one anticlimax after another.
âIâm really not into this,â groans Chandra when Monica crawls onto her futon her first night back from California. Still, she doesnât move as Monica licks her belly, from popped navel in a circle down to her cunt, which smells and even tastes like a fresh oatmeal cookie.
Besides Mike and Bob, Monica has other boyfriends whose names Chandra doesnât even know. One is a skinny guy with a guitar who seems to be giving Monica music lessons in exchange for sex. Monica plucks away like a good student, and sings a song she wrote:
Caught in a love drive-by
Spray of bullets in my heartâ
Should have been red roses
Oh why did we ever part?
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How long can I bleed like this?
Forever and a day.
Try and make me stop â
Iâll blow your head away.
The boy applauds. âI love it,â he says. âYouâve got that country sound down, but itâs so urban!â
âThatâs me, city eastern via L.A., â says Monica.
Chandra longs for a cigarette, though she doesnât smoke, especially nowâjust one cigarette to make the little boy go away. But Monica takes him into her bedroom, shutting the door so Chandra canât watch.
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One night when Chandra looks out her window, things have changed: thereâs a hole in the lights of the city. Somethingâs
missing from the skyline, but she canât remember what. She feels cold, as though something more than summer is coming to an end. When Monica finally comes back, itâs noon the next day. Her eyes are swollen and her nose is red.
âWell,â she says, her voice husky. âNeither one of us is ever going to be on the news again. Weâre free. Look.â She turns on the television, but Chandra doesnât want to watch. Instead she stays in her closet and looks out her window as smoke rises from the gap in the skyline.
The next morning itâs still gray and smoky on the horizon where buildings once stood. Monica leaves early. She does volunteer work now, to help the victims, she says. Bob the fireman is missing and presumed dead. âHis poor family,â she says, her voice at the edge of a sob.
The skinny guitar boy hasnât been heard from, either, though possibly, like Chandra, he just decided it was time to disappear. Mike drops by every evening but doesnât stay, and when he leaves, Monica crawls into
Clancy Nacht, Thursday Euclid