stare. âThe last time you visited, when you said there was a boy in the painting of the Dutchmen, I didnât realizeâ¦â
âMr. Custos,â she whispered. âWhat are you talking about?â Her fingers squeezed tight against the wooden frame of her painting. They would take it away from her. Scientists would poke and prod at her painting and keep Pim away forever. Mr. Custos would tell her parents. She would never see Pim again.
But Mr. Custos nodded, as though the situation had become suddenly clear. He spoke slowly now, enunciating the consonants at the ends of words as he always did. âI think, Miss Miravista, that you need to meet Granny Custos.â
âWhat?â
âGranny Custos. Yes. She will definitely want to speak with you. Tonight. My house. Seven oâclock sharp. Both you and, uhââhe waved toward the paintingââyour friend.â
She had never heard of Granny Custos before, and she had no idea what Mr. Custosâs grandmother might have to do with Pim. âBut Iâ¦â
âDonât worry. Your grandfather knows where I live. He can bring you.â
An elderly couple appeared on a nearby path, walking their dog.
âSeven oâclock sharp,â Mr. Custos whispered. âBring the boy.â He spun around and waved at the couple as he passed. âHello there! Gorgeous afternoon for stimulating your cultural sensitivities, isnât it?â
Claudia shoved the small painting into her backpack and tried not to break into a run as she left the park.
*Â Â Â *Â Â Â *
More than an hour passed before Pim returned to the painting, his head barely peeking around the frame. âIs it safe?â he whispered.
Claudia nodded from the place on her bed where she was sketching absentmindedly in her notebook. âWeâre home.â
âWhat happened?â
âWhat, no joke this time?â
âI think the museum director scared them out of me. What did he say?â
âHe wants us to meet his grandma.â
âWhat?â
âI know. Weird, right?â She stood up and looked out her window at the long evening shadows. âIt was like he wasnât even surprised. He was but wasnât at the same time. Instead of asking who you were or what was up with my painting, he asked meâwell, told meâto come to his house tonight to meet his grandma. So strange.â
âDo you know the curator well?â
âOnly from visiting the museum. But my grandpaâs known him for decades.â
âAre you going?â
She looked back at Pim. âWell, if I go, Iâm not going alone. He told me to bring you along.â
âMe?â Pim looked shocked, but the expression slowly melted into a half smile. âItâs been a long time since Iâve had an invitation to someoneâs home.â
She pulled back her thick hair and looped it into a ponytail. âDonât get too excited. Mr. Custos isnât exactly normal. I canât imagine what Granny Custos is like.â
âWho?â
âThatâs his grandmotherâs name. Granny Custos.â
Pim raised his eyebrows.
âWhat? Have you heard of her?â she asked.
He shook his head, slowly at first and then more firmly. âNo. No. Of course not. Well, Iâve heard the name before, but I donât remember where or when. A long time ago.â
âReally? What else have you heard about her? Why would she want to talk to us? Why would she be interested in you?â
âI donât know.â
âWell, think. If you heard the name somewhere, then she probably has a connection with the world behind the canvas, right?â
âI donât know. I donât know!â he snapped.
âOkay, take it easy. Just thinking out loud.â
If Pim had heard that name before, and Mr. Custos thought she would be interested in Pim ⦠maybe Granny Custos knew something
Howard E. Wasdin and Stephen Templin