Before You Sleep

Before You Sleep Read Online Free PDF Page A

Book: Before You Sleep Read Online Free PDF
Author: Adam L. G. Nevill
scared of the tiny figures on the bed, all climbing and tugging at the sheets, and I would run and get into bed with Mama and Papa. But Maho told me that the toys just want to be my friends and play. Maho says you don’t need a mama and papa when you have so many friends and I guess she is right. Parents don’t understand. Most of the time they think about other things. That’s why they weren’t needed for the playing.
    Maho told me that when the other children who lived here grew up and left the house all of their toys stayed behind. And it’s an old house so there are lots of toys. Maho never left either. She never left her friends. Like I did when we moved out here. I told Maho my parents made me move. ‘See,’ she said. ‘Parents don’t understand about friends. About how much we love our friends, and how special secret places are to us. You can’t just leave them because papas get new jobs or are sick. It’s not fair. Who says things have to change and you have to go to new places when you’re happy where you are?’
    I didn’t want to move here and I was scared of the new school. But since I made friends with Maho and the toys it isn’t so bad. I like it here now and I will never go to that school. Maho knows a way around that. She’ll show me soon and the toys will help.
    There are so many toys. We find them everywhere: beneath the stairs and under the beds, in the bottom of trunks and behind the doors, up in the attic and looking through holes. You never know where they’re going to show up. Most of the time you have to wait for them to come to you. And sometimes you can only hear them moving about. Mama thought we had mice in the house and Papa put traps down. Maho was angry when she showed me the traps in the kitchen and in the cellar. Toys don’t eat coloured seeds, she said, pointing at the blue poisonous oats, but sometimes they dance too close to the snapping traps. Twice we had to rescue them before the morning. A dolly with a china face got one of her long arms stuck in a trap in the pantry. She was squealing and the thin arm covered in black hair had snapped. When we freed her, Maho picked her up and kissed her cold face. When she put the dolly down the dolly ran behind some bottles and we didn’t see her again for three nights. Then the old thing with the black face and whitish beard got his pinky tail all smashed in the trap by the mop and dustpan in the cellar. When we let him loose, he showed us teeth as thin as needles and then he crawled away.
    Three nights back, when Mama and Papa were supposed to be sleeping, I know Papa saw a toy. There were plenty of them out that night, skipping mostly. The first of them came out of the fireplace. ‘Hello,’ a little voice said to me. I was only dozing because I was too excited about the playing, so I wound Maho’s silky hair off my face – it goes in my ears and up my nose too – and I sat up in bed. ‘Hello,’ I said to the little thing down on the rug. They don’t like lights, so you only see them properly when they get real close, but even in the shadows I knew I’d seen this one before. He was the one with the top hat and little suit. His shirt is white, but his face is all red and his eyes are black and shiny like marbles. He went round and round in a circle on skipping feet and in the room I could smell sneezes and old clothes. But Maho’s right: you get used to the smell of the toys.
    She sat up beside me and said, ‘Hello.’
    The toy stopped his dancing and said, ‘Hello.’
    Then we heard the drum, but we couldn’t see the musician. He was in the room with us. Under the bed, I think, and playing his leather drum. He shines like the brown shoes that I once saw made from alligator and he creaks like old gloves when he moves. As usual, when he played the drum, the clown in the dirty blue and white pyjamas came out to dance also. All around the bed he went with his shabby arms thrown up towards the ceiling and his head flopping
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