the horse,â Lucy tells Martin.
âKnight, Lucy. Itâs a knight,â Russell says.
âI just call âem like I see âem,â says Lucy.
âAnd she does see âem,â Martin says, shaking his head. âSee you later, Luscious. Nice to meet you, Terence.â I give another little wave as we leave the table. Russell doesnât even look up. Itâs like when that clock is on, thereâs no world beyond that chess board.
Lucy sits down on one of the benches on the other side of the tree and pats the spot beside her. Guys donât do stuff like pat the seat beside them. Itâs an unwritten rule. I keep forgetting Lucyâs not a guy. Not that she looks like a guy. I just donât feel like Iâm hanging around with a girl when Iâm with her. I know I felt strange about her this morning, but that had more to do with her being a weirdo than with her being a girl.
âYou play chess?â I say. âIt looks pretty complicated.â
âNo big deal,â she says. âIâll show you sometime. You only have to know two things to play chess: one, you have to know how all the pieces move, and, two, you have to kill the king to win.â
âWhatâs the horse?â
âI told you, Iâll show you another time. You canât explain it without the board. Now, did I lug this thing all the way over here for nothing?â
Iâm not really all that interested in the bat book. I wonder what Lucy did with the kite. I want to go kite-flying again so we can talk some more while we fly the kite. I want to know what Lucy hears at night, and if itâs anything like what I hear. The sound of my momâs key in the lock when she comes home after midnight, the quiet of everything else in the house against the chug of traffic out on Bathurst Street.
Lucy flips the book open. There is a picture of a bat with its wings spread out. Its ears are gigantic and its nose looks like someone hit it in the face with a shovel.
âOur fingers make up the bones in the wing,â says Lucy. âThe wing is actually a membrane that covers all the fingers except the thumb. We use the thumb for climbing. The membrane is so thin, itâs almost translucent. Like when you hold a sheet up to the light and you can see through it. You can see our bones right through the wings.â
We? I know Lucy thinks sheâs a bat. But does she really think sheâs got a bat body? I look her straight in the eye to see if sheâs on the level. She looks at me, but then turns back to the book.
âBats have difficulty walking because our legs aretoo weak to support the weight of our bodies.â
âWhat do you mean?â I say.
âYou heard me, Terence. We can hardly walk from being too heavy for our little feet.â
âYou mean
real
bats can hardly walk,â I say. She slams the book shut.
âI told you. I
am
a bat.â She closes her eyes. âYou still donât get it, do you? I thought you got it.â I want to talk about gaps, so I give.
âI get it. I get it. You see the world upside-down. You have trouble walking because youâre too heavy for your feet.â And then this flash goes off in my head. I know about being too heavy, the same way I know about hearing gaps.
I start talking quickly. âItâs like that for me some mornings. On the weekend, when thereâs absolutely nothing to do, and I canât sleep in no matter how hard I try. I feel like Iâm a million pounds getting out of bed. I can hardly make it to the couch before I have to keel over again. I can hardly carry myself to the fridge.â I canât believe Iâm telling her this. The thing is, I know she understands. Tom might understand if you explained it to him for an hour. Rico would never get it.
I look up at Lucy. Sheâs boring a hole right through me with her laser eyes.
âYou might be a bat,â she says.