heart.
Oh, Eric!
I wanted to sing.
Last night I was happy. Iâd forgotten what it was like to be happy. Because for years, it has just been anxiety and antidotes to anxiety, numbing consolations that look like happiness but exist only to bandage, to assuage; whereas happiness is never merely a bandage; happiness is newborn every time, impulsive and fledgling every time. Happiness, yes! As if a shoot, newly uncurled, were moving in growth toward the light of your pale eyes!
I got up from where I was sitting. I walked to the nearest pay phone and called him.
âHello?â he said groggily.
âDid I wake you?â
âNo problem.â A loud yawn. âWhat time is it anyway? Shit, eleven.â A sound of nose-blowing. âSo whatâs the word, Dave?â
âIâve decided to do it.â
âGreat.â
âYou need the paper Tuesday, right? Well, what say I come by your place Monday night?â
âNot here. My roommateâs sisterâs visiting.â
âOkay. Then how about we meet somewhere else?â
âAs long as itâs off campus.â
I suggested the Ivy, a gay coffee bar in West Hollywood that Eric had never heard of, and he agreed.
âTill Monday, then.â
âLater.â
He hung up.
I went back to my carrel. I gathered up all the 1890s research books Iâd kept on hold and dumped them in the return bin. (They fell to the bottom with a gratifying thunk.) Then I went into the literature stacks and pulled out some appealingly threadbare editions of
A Room with a View
and
Daisy Miller,
which I spent the afternoon rereading. Believe me or not as you choose: only four times did I get up: once for a candy bar, once for lunch, twice to go to the bathroom. And what a surprise! These books, which I hadnât looked at for years, steadied and deepened the happiness Eric had flamed in me. It had been too long, I realized, since Iâd read a novel that wasnât by one of my contemporaries, a novel that smelled old. Now, sitting in that library near a window through which the fall sun occasionally winked, a naive pleasure in reading reawoke in me. I smiled when Miss Bartlett was unequal to the bath. I smiled when the Reverend Beebe threw off his clothes and dived into the sacred lake. And when Randolph Miller said, âYou bet,â and the knowing Winterboume âreflected on that depth of Italian subtlety, so strangely opposed to Anglo-Saxon simplicity, which enables people to show a smoother surface in proportion as theyâre more acutely displeased.â That was good. That was James at his best.
Oh, literature, literature!
âI was singing againâ
it was toward your pantheon that fifteen years ago, for the first time, I inclined my reading eyes: hot the world of lawsuits and paperback floors, the buzz and the boom and the bomb; no, it was this joy I craved, potent as the fruity perfume of a twenty-year-old boys unwashed sheets.
That afternoonâagain, you can believe me or not, as you chooseâI read until dinnertime.
âDad, are you using your computer?â I asked when I got home.
âNot tonight.â
âMind if I do?â
From his crossword puzzle he looked up at me, a bit surprised if truth be told, for it had been many weeks since Iâd made such a request.
âHelp yourself,â he said. âThere should be paper in the printer.â
âThanks.â And going into his study, I switched on the machine, so that within a few seconds that all too familiar simulacrum of the blank page was confronting me.
Very swiftlyâblankness can be frighteningâI typed:
Â
âThat Spark, That Darkness on the Walkâ:
Responses to Italy in
Daisy Miller
and
A Room with a View
by Eric Steinberg
After which I leaned back and looked admiringly at my title.
Good, I thought, now to begin writing. And did.
Â
I dressed up for my meeting with Eric at the Ivy that Monday. First I got a