and he ran his tongue over his teeth. (The word teeth slid across the glass, many times. The old man had coughed after he said don't be afraid.) Her hair spilled over the pillow. He mounted her, seemed to say something in her ear before he plunged into her. We knew he had done that by the girl's scream. The images travel in slow motion. He puts water on to boil. He closes the bathroom door. The bathroom light softly disappears. She's sitting in the kitchen, her elbows resting on her knees. She's smoking a cigarette. The policeman, the fake policeman, appears in a pair of green pajamas. From the hallway he calls her, asks her to come with him. She turns her head toward the door. There's no one there. She opens a kitchen drawer. Something gleams. She closes the door.
28. AN EMPTY PLACE NEAR HERE
"He had a white mustache, or maybe it was gray"... "I was thinking about my situation, I was alone again and I was trying to understand why" ... "There's a skinny man over by the body now, taking pictures" ..."I know there's an empty place near here, but I don't know where"...
29. YELLOW
The Englishman spotted him through the bushes. He walked away, treading on pine needles. It was probably eight o'clock and the sun was setting in the hills. The Englishman turned and said something to him but he couldn't hear a thing. It occurred to him that it had been days since he'd heard the crickets chirping. The Englishman moved his lips but all that reached him was the silence of the branches moving in the wind. He got up, his leg hurt, he felt for cigarettes in the pocket of his jacket. It was a denim jacket, old and faded. His pants were widelegged and dark green. In the woods the Englishman moved his lips. He noticed that his eyes were closed. He looked at his fingernails: they were dirty. The Englishman's shirt was white and the pants he was wearing looked even older than his. The trunks of the pine trees were covered in brown scales, but when a ray of light fell on them they turned yellowish. In the distance, where the pines ended, there was an abandoned car motor and a few crumbling cement walls. His nails were big, and ragged because of his habit of biting them. He took out matches and lit a cigarette. The Englishman had opened his eyes. He flexed his leg and then smiled. Yellow. Flash of yellow. In the report he's described as a hunchbacked vagrant. For a few days, he lived in the woods. There was a campground nearby, but he didn't have enough money for that, so he only went every so often to the restaurant for a coffee. His tent was near the tennis and handball courts. Sometimes he went to watch people play. He came in through the back, through a gap the children had made in the tall grass. There's no information on the Englishman. Possibly he invented him.
30. THE MEDIC
An obsessive boy. Actually, what I mean is, if you knew him you couldn't stop thinking about him. The sergeant went up to the fallen shape in the park. He noticed people looking out their windows. Behind him came the medic's footsteps. He lit a cigarette. The medic blinked and asked if they could finally take the fucking body away. He yawned, putting out the match. "I have no idea what city I'm in"... "It's always the picture of that idiot boy on the screen"... "Always clowning on the brim of hell" ... "Always tapping my shoulder with his skinny fingers to ask if he can come in" ... The medic spat. He felt like farting. Instead, he knelt by the body. People, undressed, leaning on their elbows in the dark windows. It had been a while since they felt any real sense of danger. The writer, I think he was English, confessed to the hunchback how hard it was for him to write. All I can come up with are stray sentences, he said, maybe because reality seems to me like a swarm of stray sentences. Desolation must be something like that, said the hunchback. "All right, take him away"...
31. A WHITE HANDKERCHIEF
I'm walking in the park, it's fall, looks like somebody got
Debbie Gould, L.J. Garland