thrill. He almost makes it easy to forget Iâm the new girl.
Until I realize this is a group assignment and Iâll be paired off. My throat constricts. Thereâs an odd number of students, an extra. Me.
âSince we seem to have a missing student this morning,â Galvin says, freezing me with one of those easy grins, âyou can work with me, Anne.â He plants a stalky pumpkin on the desk. âIâll be right there. The rest of youââ
Galvinâs gaze shifts to the opening classroom door and flashes with annoyance.
âMr. Thompson, how nice of you to grace us with your presence.â He glances down at his watch. âAnd only a few minutes past the hour. Please, share with us your excuse this time.â
âSorry, teach. I was chatting up the ladies and missed the bell.â
Snickering ripples through the class. My insides twist. I already know that voice. It grates on the back of my skull and turns my veins cold.
John.
âIlluminating,â Galvin says. âGiven your mad skills with the ladies, Iâm sure you wonât mind working with your new classmate, then. Iâd like you to meetââ
âWeâve met,â I say. Itâs clear now I should have left John alone at the party, kept away from him and his friends. Let them believe the worst of me. Like Iâm not already used to that.
If Galvin hears the tension or senses Johnâs disgust, he ignores it and refocuses on the class.
John slithers across the room, finds me hiding in the back, spreading newspaper on the workstation, gathering a small knife, a glass dish. Iâve been in Medina a couple of days and Iâve already had enough of John.
âTogether again,â he says.
I bite back a sarcastic response and slide into my lab coat.
Galvin writes on a whiteboard at the front of the class in orange and black. âYour first task is to carve a pumpkin,â he says. He draws a simple jack-oâ-lantern face, triangular eyes, nose, a long mouth with three teeth, two up, one down. âNow, for all of you Picassos in the room, youâll need to keep your pumpkin faces simple.â He taps on the picture, pokes his finger through one hand-drawn eye. âThis is about as artistic as I want you to get.â
A student on the opposite side of the room snickers, raises his voice. âNo fair. Iâve already drawn my Frankenstein face.â
âYou are a Frankenstein face,â a girl chimes in.
I recognize her as one of Catherineâs friends, a sparkly princess from the party.
John yanks our pumpkin toward him, slides the knife in and out of its flesh in a circle around the stem. âSorry to wreck your daydream, darling, but this class doesnât go all day.â He pulls the top off and the pumpkinâs guts hang like human entrails, ragged and slimy.
âGo ahead, get right in there,â John says, nudging his head toward the cavernous hole in the top of the gourd. âYou seem the type that likes to get dirty.â
I snort. Stick my hands in the pumpkin and pull out a handful of guts and squish them around, fold them over my knuckles. A long, stringy strand slides between my fingers and lands on the newspaper with a gushy splat. I drop the rest of the guts on top, poking around for seeds to separate them from the pile of slimy orange mush. It seeps under my fingernails, taints my chipped black polish.
âWhat is this? Food studies? Just get the shit out of there,â John says, more growl than command.
I flutter my lashes, thrilled Iâve gotten under his skin. âYou wish I was kneading you like this.â
Johnâs wolf grin deepens. âA little culinary foreplay? Now thatâs hot.â
I choke on a laugh, for once unable to offer a comeback.
He wipes the pumpkinâs skin clean with a paper towel, scrawls out a simple face with a black Sharpie. One eye is biggerthan the other, the nose too small. I