intense and encompassing smells of roast potato and moist lamb.
âWeâll sit down in five minutes,â said his mother. âI have beer if you would like it.â
After the long tram journey, he chose to have a glass. âAn aperitif,â said Aunty Madge, for the sake of elegance or of what his father called âbush flashnessâ. While his mother went to get it, Darragh took off his jacket and went to the room he had occupied as a boy to hang it up. He also undid the press-stud at the back of his neck, and released the Roman collar and stock he had worn all the way from Strathfield. The underside of the stock was sodden with his sweat. So now he became an ordinary fellow in black pants and white shirt, about to eat spud and carrot, baked onion and lamb, with mint jelly taken from a cutglass bowl.
With the heaped plates before the three of them, Mrs Darragh asked her son to intone grace. He did so, and after a perfunctory sign of the cross as habitual as a kiss between spouses, Aunty Madge looked at her plate and said with an augustness of elocution which was her style, âWho would believe there was rationing?â
âI would,â said Mrs Darragh, and risked a smile at her son.
Aunt Madge had extracted a price for helping out the family during Mr Darraghâs unemployment, which had barely ended six months before he died. She had a habit of inviting herself to all occasional mealsâSunday, Easter, Christmasâand even many evening meals at Arbroath . Her company was welcome to Mrs Darragh, and Aunt Madge disliked the fuss of shopping and dealing with books of ration coupons. She devoted a great deal of her free time to film-going, and could always tell Darragh which film to see on Monday nights after tennis. â That Night in Rio is a commonplace little thing, but if you happen to like Carmen Miranda ⦠Dive Bomber âs not a bad war drama, a little unrealistic if thatâs what youâre after. Errol Flynn, what a looker! They say heâs an Australian. I met a fellow after Mass the other day who claimed to have shared a desk with him at Marist Brothers, Parramatta. I said to him, âMr Henry,ââthatâs his nameââMr Henry, I wouldnât believe you except I know a fellow like you wouldnât lie on the doorstep of the church.â Iâm not sure the beggar wouldnât though. Blossoms in the Dust ⦠very touching. Handkerchief-soaker. Greer Garson looks like a saint but from what Iâve read may not be one. Love on the Dole ⦠now thatâs a real film about real people.â
âIâm surprised,â said Mrs Darragh, with a half-smile which invited Frank into the cautious joke. âA woman of your age going to see Love on the Dole .â It was said to be a notorious film. Priests and ministers who had not seen it had widely preached against it.
âWell, itâs the way people live,â said Aunt Madge, her voice sweeping in its authority. âIf you treat people unjustly, they donât just offer it all up for the souls in Purgatory, you know. They try to find an outlet. Anyhow, where were all those priests who runit down when the working men and women were hard up during the Depression? They werenât to be seen then. But theyâre quick to blame the poor for living close to the bone.â
Frank Darragh was used to Aunty Madge being an anti-clerical but devout Catholic.
âThe actors in Love on the Dole ,â Mrs Darragh surprised Frank by saying, âwere never your poor working men and women, Madge. That Deborah Kerr. In real life sheâs got a plum in her mouth like the queen of England.â
âThatâs not what I read,â said Aunt Madge. âIn fact, I read that she had quite a hard upbringing as a shopkeeperâs daughter. Anyhow, youâd approve of the newsreels.â Fork in one hand, Madge raised her other to trace phantom headlines in the