without him but she might as well âlove a bright particular starâ and think to marry that as Bertram since âhe is so above me.â Sheâs tormented by her love for one who is her social superior. Despite her pain, she enjoyed seeing him all the time and drawing a picture of him in her heart. Now she has only these ârelicsâ to remember him by. She sees Bertramâs friend Parolles and says that even though she knows heâs a coward and a liar she likes him for Bertramâs sake. He asks her if sheâs thinking about âvirginityâ and they conduct a bawdy exchange about its merits with Helen defending it and Parolles believing it overrated. She turns the conversation obliquely to Bertram and her wishes. Parolles is called away and Helen accuses him of cowardice. He advises her to get a husband. Once heâs gone, Helen argues in a soliloquy that an individualâs fate lies in their own hands. She has a plan relating to the King and is determined to carry it through.
ACT 1 SCENE 2
The King reports that Florence and Siena are at war but are equally matched. France is not going to aid the Florentines but French knights will be allowed to fight on either side if they choose. Bertram, Lafew, and Parolles arrive. The King welcomes them, praising Bertramâs late father who was an old friend and regretting his own ill health, asking how long ago Bertramâs fatherâs doctor (Helenâs late father) died, believing that he might have cured him.
ACT 1 SCENE 3
Lines 1â111: The Countess and Reynaldo the Steward are about to discuss Helen when the Countess notices the Clown Lavatch. He explains that he wants to get married; his reasons are desires of the flesh, repentance, and to make âfriends.â He goes on to offer a paradoxical justification for adultery and the Countess says sheâll speak to him later. She tells him to ask Helen to come to her and Lavatch sings a song about Helen of Troy. The Countess complains about his corruption of the song and abuse of women and sends him again for Helen. When Lavatch is gone, Reynaldo explains how he recently overheard Helen saying that she loves Bertram and feels bitter that the social distance between them means they can never marry. The Countess says she is not surprised and thanks Reynaldo for his âhonest careâ as he leaves.
Lines 112â252: As Helen enters, the Countess exclaims in an aside, âEven so it was with me when I was youngâ and she goes on to register her sympathy for Helen. She calls herself Helenâs âmotherâ but Helen rejects the idea. When asked her reason, sheâs confused, saying she canât be Bertramâs sister, sheâs too humble, and he mustnât be her brother. The Countess says that Helen could be her daughter-in-law then. Helenâs reaction assures her that she has discovered the secret of her love for Bertram. Helen is reluctant to confess but the Countess is determined to learn the truth. Helen admits that she loves her son and begs the Countessâ pardon but says she cannot help itâher love does Bertram no harm. The Countess then asks why she wants to go to Paris. Helen admits that she believes she can cure theKing, having inherited her fatherâs skill. The Countess gives her blessing and offers her aid for the enterprise.
ACT 2 SCENE 1
Lines 1â63: The King is saying goodbye to the young lords going to fight in the Italian wars. He encourages them to fight bravely and be honorable and warns them against love. As the King goes aside to speak with the lords, Bertram complains that he isnât allowed to goâthe Kingâs told him heâs âToo youngâ and he can go âthe next year.â The other lords sympathize. Parolles recalls his previous experiences of war and, telling Bertram to be âmore expressiveâ with his goodbyes to them, they go off.
Lines 64â223: Lafew tells the
Michelle Fox, Gwen Knight
Antonio Centeno, Geoffrey Cubbage, Anthony Tan, Ted Slampyak