long performance. Her job, the studio, the designer clothes, the trips to cities, the meals in good restaurants, the visits to her parents and to Matthias’s mother. It must have been a lie if it was so easy to destroy with a moment’s inattention, a false move. The accident was bound to happen sooner or later, whether in the form of a sudden catastrophe or a gradual unraveling, it was coming.
She knew she could use her legs, the doctor had even encouraged her to. She heaved herself back into the wheelchair and rolled into the living room. On the sofa lay a book she had started a couple of weeks ago, a Swedish thriller. She found her place but was unable to concentrate and soon put it aside. She flicked through a fashion magazine. In the building opposite a window was opened, her neighbor shook out a duvet. Gillian knew her, vaguely. She shrank back, half naked as she was, but the woman didn’t seem to have seen her, remained standing in the window for a minute or two, and looked down at the street. Perhaps she was looking out for the mailman or her children who might be back from school soon.
Gillian rolled into the corridor to get her suitcase. Back in the living room, she locked the wheels of the chair andslipped to the floor. She lay on the thick woolen carpet. That way she couldn’t be seen from outside. It was warm, but she felt chilly. She rummaged in her suitcase for clean underwear and a pair of trousers, but the only things she found were dirty. She pulled a blanket off the sofa and rolled herself up in it. She longed to be back in the hospital where nothing more was demanded of her than that she be able to endure her pain. And even that had been taken away from her with the drugs she at first took gratefully and then increasingly refused. She had the idea that pain was part of the healing process, and that she needed to submit to it as part of becoming whole.
She propped herself up on her elbows and looked around. Nothing had changed, but the room had become strange to her. She asked herself who had bought these books, hung up these pictures. A silkscreen print by Andy Warhol, Marilyn, the same face ten times over, lifeless as an advertising poster. The minimalist furniture, the soulless accessories, carefully chosen from expensive design shops, souvenirs though they were connected to no particular memories. She rolled onto her back and looked up at the Italian designer lamp that seemed to hang just above her, dropped her arms, and hit the wheelchair several times. Locked now, it didn’t move.
She crawled over to the enormous flat-screen, switched it on, and started zapping through the channels. She stopped at a nature program. There was a wide beach at twilight across which thousands of primitive creatures were creeping, looking as though they wereput together from a round shield and a long sting or tail. From time to time one of the creatures would be picked up by a wave and dumped onto its back, and you saw its wriggling little legs and the way it tried to turn onto its front with little jerks of its tail. This fascinating spectacle only occurs for a few days each year, said the narrator adoringly. Horseshoe crabs have lived in shallow coastal waters all over the planet for over five hundred million years, and in all that time they have hardly changed. That’s why they are occasionally called living fossils. In early summer they gather on the shores of their native seas to lay their eggs.
Gillian looked through the DVDs that were piled up beside the little TV console, but none of the films grabbed her. Finally she put on a DVD of one of her shows that she had had burned and never watched. She didn’t like seeing herself on screen, it was only when something had gone wrong during one of the recording sessions that she watched the show.
She fast-forwarded it. She could make out the show’s opening credits, a short introduction to the week’s subjects, torn faces silently moving their mouths, smiling,