always went interesting places and did interesting things. He got jobs, colorful jobs, and he concealed his true identity with the resourcefulness of Clark Kent, and he always knew which people to take into his confidence. But, more than that, he always seemed to be guided by some special sort of master plan. He never sat around like a dolt wondering what to do next, or where to go, or whether it wouldn’t be better to drown himself. When all else failed, he could start hunting the one-armed man again. But in the meantime there was always a place for him to go, a bit of business for him to involve himself in, a new road for him to follow.
I was an utter failure as a fugitive. I walked uptown to Fourteenth Street and west to Union Square. I ate baked beans and scrambled eggs and home fries at the Automat, and drank a few cups of coffee. I took a subway to Times Square. I got off the subway with seventy-five cents left. I spent fifty-five cents to get into a Forty-second Street movie, a pair of westerns, Audie Murphy, Randolph Scott. I spent ten cents on a candy bar. I sat in the balcony and smoked cigarettes and watched the movies. I had ten cents left, and I intended to spend it on a second candy bar as soon as I was hungry again. I was a complete failure as a fugitive and it barely bothered me.
While Audie Murphy and Randolph Scott led the forces of good to their inevitable triumph over the forces of evil, I hunched in my seat and followed the action on the screen, letting the films bake my psyche as a Turkish bath might have done for my body. Everything drained out. The headache went away, the fear, the pain, everything. Anesthesia.
And the hours slipped neatly away. If I were going to escape from New York City now was emphatically the time to do it. In a matter of hours the police would be looking for me, and once that happened bus terminals and airports and railway stations would cease to be safe. (It occurred to me now that I should have taken my checkbook, that the airlines would have accepted a check. It had not occurred to me before. And it no longer seemed to matter. I was watching the movie, I would go on watching the movie; as long as I stayed where I was nothing bad could happen to me. The cocoon mentality.)
When I entered the theater, the Audie Murphy picture was about a third gone. I watched it to the end, and then I watched the Randolph Scott picture, and then I watched a coming attraction for something and a Roadrunner cartoon and a two-minute advertisement for the goodies available at the downstairs refreshment stand in the main lobby. Then I watched the Audie Murphy picture to the point where I came in, and, since there was no particular place to go next, I stayed there to watch it through to the end again.
Remember, said an inner voice.
No. No, I’d rather not
Remember last night.
No. I had a blackout. I’m entitled to a blackout
Lift the curtain. Bring back bits and pieces of it —
Why?
He who fails to learn from the past is condemned to repeat it.
But it had already been repeated. Why remember it again? Look, there’s Audie Murphy, here’s the part where he beats the hell out of the rotten crooked sheriff, watch it now—
Remember.
I gave up and sat back and closed my eyes and turned off the movie and let myself remember.
It had, tritely, been a day like any other day. Outside, as inside, I had come to learn the safety and security of pattern, of habit I had learned not to rush things but to let them come as they would, living my own life in a neat and orderly fashion that would supply a counterfeit purpose when none in fact existed. I lived frugally, in my two ill-furnished rooms on East Ninth Street. I ate out of cans or took meals at a cafeteria around the corner. I shaved each morning, and I wore clean clothing every day, and I made myself busy although I had nothing to be busy about. I walked to Tompkins Square Park and played chess with some of the elderly pensioners who sunned