a Linnæus, Colin, and less the Samuel Smiles.â Judd had been reduced to a grumbling silence. What he really resented was the fact that Fanningâs confidences were given to upstart friends, to strangers even, before they were given to him. It was only to be expected. The clamâs shell keeps the outside things out as effectually as it keeps the inside things in. In Juddâs case, moreover, the shell served as an instrument of reproachful pinching.
From his cool street Fanning emerged into the Piazzadi Spagna. The sunlight was stinging hot and dazzling. The flower vendors on the steps sat in the midst of great explosions of colour. He bought a gardenia from one of them and stuck it in his buttonhole. From the windows of the English bookshop â The Return of Eurydice, by Miles Fanningâ stared at him again and again. They were making a regular display of his latest volume in Tauchnitz. Satisfactory, no doubt; but also, of course, rather ridiculous and even humiliating, when one reflected that the book would be read by people like that estimable upper middle-class couple there, with their noses at the next windowâthat Civil Servant, he guessed, with the sweet little artistic wife and the artistic little house on Campden Hillâwould be read by them dutifully (for of course they worked hard to keep abreast of everything) and discussed at their charming little dinner parties and finally condemned as âextraordinarily brilliant, but . . .â Yes, but, but, but. For they were obviously regular subscribers to Punch, were vertebrae in the backbone of England, were upholders of all that was depressingly finest, all that was lifelessly and genteelly best in the English upper-class tradition. And when they recognized him (as it was obvious to Fanning, in spite of their discreet politeness, that they did) his vanity, instead of being flattered, was hurt. Being recognized by people like thatâsuch was fame! What a humiliation, what a personal insult!
At Cookâs, where he now went to draw some money on his letter of credit, Fame still pursued him, trumpeting. From behind the brass bars of his cage the cashier smiled knowingly as he counted out the banknotes.
âOf course your nameâs very familiar to me, Mr. Fanning,â he said; and his tone was at once ingratiating andself-satisfied; the compliment to Fanning was at the same time a compliment to himself. âAnd if I may be permitted to say so,â he went on, pushing the money through the bars, as one might offer a piece of bread to an ape, âgratters on your last book. Gratters,â he repeated, evidently delighted with his very public-schooly colloquialism.
âAll gratitude for gratters,â Fanning answered and turned away. He was half amused, half annoyed. Amused by the absurdity of those more than Etonian congratulations, annoyed at the damned impertinence of the congratulator. So intolerably patronizing! he grumbled to himself. But most admirers were like that; they thought they were doing you an enormous favour by admiring you. And how much more they admired themselves for being capable of appreciating than they admired the object of their appreciation! And then there were the earnest ones who thanked you for giving such a perfect expression to their ideas and sentiments. They were the worst of all. For, after all, what were they thanking you for? For being their interpreter, their dragoman, for playing John the Baptist to their Messiah. Damn their impertinence! Yes, damn their impertinence!
âMr. Fanning.â A hand touched his elbow.
Still indignant with the thought of damned impertinences, Fanning turned round with an expression of such ferocity on his face, that the young woman who had addressed him involuntarily fell back.
âOh . . . Iâm so sorry,â she stammered; and her face, which had been bright, deliberately, with just such an impertinence as Fanning was damning, was