know.â
Justin laughs. âThis old stuff? I thought it was your music.â
How strange, that a whole generation could lie between them.
âNo good rock after 1973, right?â Justin asks.
Standing there in his pullover and tie, his short shining hair, he seems suddenly a little smug. Is there something a little precious about him?
But no. Heâs just young.
âMaybe not after 1969,â she says.
She had hoped theyâd leave early, but she can see that Cynthia is determined to see the party to its end. They linger and linger while the other guests are disgorged from the house. She wanders into the kitchen, where Justin is surreptitiously reading the spines of cookbooks on a shelf. There donât seem to be many books in the house. His cousins have also retreated to the kitchen; Alex is making himself a sandwich out of the buffet skewers, while his sister picks the strawberries out of the half-full punch bowl.
She recalls other parties she has attended where the hostsâ grown children and their friends were a lively presence. Why has neither Alex nor the girl invited any of their own friends? They seem so uncomfortable, displaced.
Stephen comes into the kitchen, rubbing his hands together like a cartoon maître dâ. âAre you kids hungry? Can I make you something else?â
No, they both say.
Stephen, she thinks, looks sad. Or perhaps just tired, disappointed. But when Stephen leaves the room, Alex looks directly at her. âDad says you still have some land, an orchard, here in Marshallâs Landing,â Alex says.
She nods.
âIâd like to see it,â Alex says. His eyes are shining; his teeth flash white under his sandy beard. Of whom does he remind her? âIâve asked Dad, but he isnât interested. Can you tell me which orchard it is? Iâve been all along the road, but I canât figure it out.â
âYouâre interested in orcharding?â Sidonie asks. His enthusiasm is a pleasant change from the earlier diffidence.
âMy great-grandparents were orchardists,â he says. âBoth sets, on Dadâs side.â
Well. Thatâs true, in a way. But she wouldnât have put the Kleinholzâs smallholding in the same category as her fatherâs estate.
âAnd my great-grandparents on my motherâs side were orchardists, in the Ukraine,â Alex adds.
She had not known that, and itâs interesting, in a way, to put Debbieâs family into historical context.
âItâs on the left, around the first bend, after you crest the hill,â she says.
âDo you know the street number?â
She doesnât. There had not been street numbers in her time. She has not visited the orchard since her return.
Justin says, âI didnât know you still owned land here. And I canât believe you havenât been out to see it in twenty years.â
She doesnât want to see it. It is being taken care of. She doesnât need to go back.
âWhat do you do with it?â Alex asks, speaking at the same time as Justin. (Or has he said, âWhat are you doing with it?â which would have meant something different, less innocent?)
She decides to answer him as if it has been the first question.
âThe orchard is leased out. The house itself is empty. Itâs not habitable.â
âYouâre an absentee landlord, Auntie Sid,â Justin says, smirking.
Now that is annoying. She is getting so tired of the new versions of the local history that she has been hearing since she moved back from Montreal. It sounds almost colonial: British investors, a stratified society, indigenous and Asian labourers working for pennies a day. It wasnât quite like that.
And the land, her land â itâs almost worthless. Thereâs not enough left to be called an estate, even, now. Sheâs just holding onto it.
Holding onto it in hopes that one day it will be worth selling,