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the war, Philby had joined the Anglo-German Fellowship, an organisation with pro-Nazi leanings, but now, like Elliott, he was committed to battling ‘the inherent evil of Nazism’. The two friends ‘very rarely discussed politics’, and spent more time debating ‘the English batting averages and watching the cricket from the Mound Stand at Lord’s’ – home to the Marylebone Cricket Club, the central citadel of cricket, of which Elliott was a member. Philby seemed to share Elliott’s firm but simple British loyalties, uncomplicated by ideology. ‘Indeed,’ wrote Elliott, ‘he did not strike me as a political animal.’ Philby was only twenty-eight when they met, but to Elliott he seemed older, matured by his experience of war zones, confident, competent and agreeably louche.
    MI6 enjoyed a reputation as the world’s most redoubtable intelligence agency, but in 1940 it was in a state of flux, rapidly reorganising under the pressure of war. Philby seemed to bring a new air of professionalism to the job. He was plainly ambitious, but hid his drive, as English manners required, behind a ‘pose of amiable, disengaged worldliness’.
    Hugh Trevor-Roper was another new recruit to wartime intelligence. One of the cleverest, and rudest, men in England, Trevor-Roper (later the historian Lord Dacre) had hardly a good word for any of his colleagues (‘by and large pretty stupid, some of them very stupid’). But Philby was different: ‘An exceptional person: exceptional by his virtues, for he seemed intelligent, sophisticated, even real.’ He appeared to know exactly where he was going. When Philby spoke about intelligence matters, Elliott thought he displayed impressive ‘clarity of mind’, but he was neither drily academic nor rule-bound: ‘He was much more a man of practice than of theory.’ Philby even dressed distinctively, eschewing both the Whitehall stiff collar with pinstripe and the military uniform to which, as a former war correspondent, he was entitled. Instead, he wore a tweed jacket with patches at the elbows, suede shoes and a cravat, and sometimes a coat of green fabric lined with bright red fox fur, a gift from his father who had received it from an Arab prince. This eye-catching outfit was topped off with a Homburg, and a smart, ebony-handled umbrella. Malcolm Muggeridge, another writer recruited to wartime intelligence, noted Philby’s unique sartorial swagger: ‘The old Secret Service professionals were given to spats and monocles long after they passed out of fashion,’ but the new intake of officers could be seen ‘slouching about in sweaters and grey flannel trousers, drinking in bars and cafés and low dives . . . boasting of their underworld acquaintances and liaisons. Philby may be taken as a prototype and was indeed, in the eyes of many of them, a model to be copied.’ Elliott began to dress like Philby. He even bought the same expensive umbrella from James Smith & Sons of Oxford Street, an umbrella that befitted an establishment man of the world, but one with panache.
    Through Philby, Elliott was introduced to a fraternity of ambitious, clever, hard-drinking intelligence officers, the ‘Young Turks’ of MI5 and MI6. This informal – almost entirely male – group often gathered, in off-duty hours, at the home of Tomás Harris, a wealthy, half-Spanish art dealer who worked in MI5, where he would play a central role in the great Double Cross deception as the case officer for double agent ‘Garbo’, Juan Garcia Pujol. Harris and his wife Hilda were generous hosts, and their Chelsea home, with its large wine cellar, became an open-house salon for spies. ‘You’d drop in to see who was around,’ Philby remembered. Here, in an ‘atmosphere of haute cuisine and grand vin ’, might be found Philby’s friend Guy Burgess, extravagant in his homosexuality, frequently drunk, faintly malodorous and always supremely entertaining. Here too came their friend Anthony Blunt, a Cambridge art