enjoyed the music, they joined in on the audience-participation numbers and would sally forth to the dance floor and treat themselves and the establishment to a hula, samba, rumba, jitterbug, cha-cha or even a tap dance.
I would go home to Aunt Leah’s around three A.M. , and the sensation was as if I had just left Times Square and stepped onto the dock of the bay at the back of the moon.
Auntie didn’t believe in much volume, so music from her radios was hardly audible; every now and again the name of Jesus could be heard from a broadcast sermon. Nor did she approve of air-conditioning. Uncle Brother had installed first-rate units in the house, but Aunt Leah was Calvinistic. She was certain that too many physical comforts in this life would cut down on benefits for the Christians lucky enough to get into heaven, or might even make it too difficult to get in at all. The house was dark, and the air was heavy and stayed in one place. With its sluggish mood, it should have been an ideal location in which to indulge a hearty dose of self-pity. But somehow, piety had claimed every inch of air in that house.
Gloom definitely could not find a niche at the nightclub. It was impossible to think about the life Guy might be living, or Malcolm’s death, or the end of yet another of my marriages made in heaven while I was onstage singing “Stone Cold Dead in the Market” or the Andrews Sisters’ irresistible song “Drinking Rum and Coca-Cola.”
Offstage, the other entertainers were so busy flirting outrageously, fondling one another or carrying arguments to high-pitched and bitter ends that there was no room in which I could consider my present and my past.
I wanted a place where I could languish. I found a furnished flat, moved in, seated myself, laced my fingers and put my hands in my lap and waited. I expected a litany of pitiful accounts to come to mind, a series of sad tales. I was a woman alone, unable to get a man, and if I got one, I could not hold on to him; I had only one child (West Africans say one child is no child, for if a tragedy befalls him, there is nothing left), and he was beyond my reach in too many ways. I expected a face full of sorry and a lap full of if-you-please. Nothing happened. I didn’t get a catch in my throat, and there was no moisture around my eyes.
Didn’t I care that I had been a bad mother, abandoning my son, leaving him with a meager bank account and up to his own silly teenage devices? He’d go through that money like Grant went through Richmond, and then what? I thought I should be crying. Not one tear fell.
A kind of stoicism had to have been in my inheritance. My inability to feel enough self-pity to break down and cry did not come from an insensitivity to the situation but rather, from the knowledge that as bad as things are now, they could have been worse and might become worser and even worserer. As had happened so many times in my life, I had to follow my grandmother’s teaching.
“Sister, change everything you don’t like about your life. But when you come to a thing you can’t change, then change the way you think about it. You’ll see it new, and maybe a new way to change it.”
The African-American leaves the womb with the burden of her color and a race memory chockablock with horrific folk tales. Frequently there are songs, toe-tapping, finger-popping, hand-slapping, dancing songs that say, in effect, “I’m laughing to keep from crying.” Gospel, blues, and love songs often suggest that birthing is hard, dying is difficult and there isn’t much ease in between.
Bailey brought some paintings to my new apartment. Certainly I couldn’t change history; however, I could trust Bailey to have thought out some of my future.
“Remember what I told you about Malcolm? These same people who didn’t appreciate him will revere him in ten years, and you will get in deep trouble if you try to remind them of their earlier attitude.
“Guy is a man-boy. Bright and