and Monica hurled herself against the thick wood door, flinging out her arms until she stood spread-eagled across the entrance.
âWhat the hell do you think youâre doing?â he demanded, glaring at her.
âIâm saving you from yourself.â
âGo save someone else, would you?â His eyes were formidable, cold and cutting, but Monica refused to back away.
âIâm doing this for your own good.â
He clamped his mouth closed and appeared to be counting to ten. His head nodded with each number and by the time he reached eight, his patience had evaporated. âEither you move or Iâll be forced to move you myself and I guarantee you wonât approve of my methods.â
Monica was saved from having to make a decision when the door opened and she was momentarily pushed to one side. By the time sheâd turned around and recovered, her reluctant hero had disappeared. It didnât take her two seconds to know where heâd gone. For half a heartbeat she toyed with the notion of going inside the Blue Goose after him.
Defeated and mildly discouraged, Monica trudged her way across the street. The other choir members were mingling with the crowd, passing out invitations for the Christmas Eve service. The idea had been her fatherâs and although Monica feared they might attract riffraff from the streets, she hadnât said as much. It wouldnât do any good to argue with her father, not when he had such a soft spot in his heart for street people.
âMonica.â Michael Simpson, the director, edged his way around two altos and moved toward her. âWhat happened?â
âI lost my balance and fell off the riser,â she explained.
His eyes widened. âAre you all right?â
She nodded. âA . . . someone caught me.â
âIâm glad you werenât hurt.â His smile was shy as he gently patted her hand. âI wanted to congratulate you on your solo.â
âBut . . .â
âYour voice was never more pure.â
Monica gestured weakly. To accept the credit would have been wrong. âBut another voice joined mine. Didnât you hear it? I swear it came out of nowhere.â
âAnother voice?â Michael asked, frowning. âI only heard you, and you were magnificent. You really outdid yourself.â
âMonica, Monica.â The Reverend Fischer hurried to his daughterâs side and clasped her hand between his. His eyes shone bright with tears. âIâve never heard you sing more beautifully. You sounded so much like your mother. Iâd almost forgotten what a stunning voice she had. This is Godâs gift to you, this voice.â
âBut, Dad . . .â She stopped, not knowing how to explain. There had been another voice that merged with hers. One that didnât happen to belong to anyone in the choir. It didnât belong to anyone she knew.
âG oodness, Goodness, Goodness,â Mercy said in that small chiding tone Gabriel had used with her so often in the past. âYou were the one singing, werenât you?â
Goodness did not attempt to deny it. âI couldnât help it. âSilent Nightâ is one of my personal favorites.â
âBut she heard you.â
âI know.â That part had been unintentional. Simply put, Goodness had gotten carried away with herself. But she had used considerable restraint. No one, however, seemed to appreciate that part. She could have used Barbra Streisandâs voice. Barbra could really belt out âSilent Night,â or Judy Garland. Now, that would have caused a whole lot of comment. To her credit, Goodness had resisted, although on second thought, she did an excellent Carol Burnett.
âWhat if Gabriel hears about this?â
âDonât worry about it.â The archangel would eventually find out, Goodness knew. There would be no keeping it from him, but even that hadnât been enough for her to