A Portrait of the Artist as a Young Man Read Online Free PDF

roses: those were beautiful colours to think of. And the cards for first place and second place and third place were beautiful colours too: pink and cream and lavender. Lavender and cream and pink roses were beautiful to think of. Perhaps a wild rose might be like those colours and he remembered the song about the wild rose blossoms on the little green place. But you could not have a green rose. But perhaps somewhere in the world you could.
    The bell rang and then the classes began to file out of the rooms and along the corridors towards the refectory. He sat looking at the two prints of butter on his plate but could not eat the damp bread. The tablecloth was damp and limp. But he drank off the hot weak tea which the clumsy scullion, girt with a white apron, poured into his cup. He wondered whether the scullion’s apron was damp too or whether all white things were cold and damp. Nasty Roche and Saurin drank cocoa that their people sent them in tins. They said they could not drink the tea; that it was hogwash. Their fathers were magistrates, the fellows said.
    All the boys seemed to him very strange. They had all fathers and mothers and different clothes and voices. He longed to be at home and lay his head on his mother’s lap. But he could not: and so he longed for the play and study and prayers to be over and to be in bed.
    He drank another cup of hot tea and Fleming said:
    —What’s up? Have you a pain or what’s up with you?
    —I don’t know, Stephen said.
    —Sick in your breadbasket, Fleming said, because your face looks white. It will go away.
    —O yes, Stephen said.
    But he was not sick there. He thought that he was sick in his heart if you could be sick in that place. Fleming was very decent to ask him. He wanted to cry. He leaned his elbows on the table and shut and opened the flaps of his ears. Then he heard the noise of the refectory every time he opened the flaps of his ears. It made a roar like a train at night. And when he closed the flaps the roar was shut off like a train going into a tunnel. That night at Dalkey the train had roared like that and then, when it went into the tunnel, the roar stopped. He closed his eyes and the train went on, roaring and then stopping; roaring again, stopping. It was nice to hear it roar and stop and then roar out of the tunnel again and then stop.
    Then the higher line fellows began to come down along the matting in the middle of the refectory, Paddy Rath and Jimmy Magee and the Spaniard who was allowed to smoke cigars and the little Portuguese who wore the woolly cap. And then the lower line tables and the tables of the third line. And every single fellow had a different way of walking.
    He sat in a corner of the playroom pretending to watch a game of dominos and once or twice he was able to hear for an instant the littlesong of the gas. The prefect was at the door with some boys and Simon Moonan was knotting his false sleeves. He was telling them something about Tullabeg.
    Then he went away from the door and Wells came over to Stephen and said:
    —Tell us, Dedalus, do you kiss your mother before you go to bed?
    Stephen answered:
    —I do.
    Wells turned to the other fellows and said:
    —O, I say, here’s a fellow says he kisses his mother every night before he goes to bed.
    The other fellows stopped their game and turned round, laughing. Stephen blushed under their eyes and said:
    —I do not.
    Wells said:
    —O, I say, here’s a fellow says he doesn’t kiss his mother before he goes to bed.
    They all laughed again. Stephen tried to laugh with them. He felt his whole body hot and confused in a moment. What was the right answer to the question? He had given two and still Wells laughed. But Wells must know the right answer for he was in third of grammar. He tried to think of Wells’s mother but he did not dare to raise his eyes to Wells’s face. He did not like Wells’s face. It was Wells who had shouldered him into the square ditch the day before because he