probably the fjord, because I do not remember vastness or a beach but trees and rocks. The table is white, and on the table are glasses of shining soda pop—yellow and red. Those glasses of
brus
(the Norwegian word for soda pop, a word I never forgot) delight and fascinate me. I am quite sure that I’d never seen red soda before, and the memory is so powerful, I must have felt I was in the presence of a Norwegian miracle. That bottle of red
brus
on a white table gleamed throughout the remaining years of my childhood as the sign of what was possible
there.
It may have been in part responsible for the question I asked my mother when I was five or six: “Why is everything better in Norway?” I don’t remember asking the question, but my mother assures me I was tactless enough to ask it. My poor mother decided that she had framed her emigration in the wrong light and vowed to be more careful about her comparisons between the two countries in the future.
Early memories are isolated bits of experience remembered for reasons that are often difficult to articulate; and because they have no greater narrative in which they can be framed, they float. At the same time, they may have more purity than later memories, for that very reason. When dailiness enters memory, repetition fixes places in the mind, but it also burdens them with a wealth of experience that is often difficult to untangle. For example, I remember Longfellow School, where I attended grade school, very well. I can see its hallways and connect one to another. I can even see the bathroom outside my third-grade class. I remember it as gray. It may have been gray, but it could be that I colored it in memory. I have given the interior of that building a single color that is also emotional: gray. Although I was always excited to begin school in the fall (a season separated from the spring before by years of summer), and although I loved walking out to the school bus with my three sisters, all of us wearing the identical new dresses my mother had sewn for us, my memory of the school building itself, its rooms and lockers, blackboards, and hallways, brings on a heavy, oppressive feeling. Whether I was more unhappy in school than any of my friends I don’t know. I never would have said I didn’t like school, and there are moments I distinctly remember enjoying, but these truths don’t alter my memory of that place. There’s something unpleasant about saying that a gut response can be a lie, but I think it’s possible. Unlike the intricacy of the physical world, feelings are generally more crude than language—guilt, shame, being hurt by another person feel remarkably alike in the body. Reason tells me that my early experiences in that school were a complex mixture of pain, pleasure, and boredom, but whenever I drive past it or think about it, the building itself is wrapped in gloom.
Many years later, I had a similar experience but in reverse. From 1978 through 1986, I was a graduate student at Columbia, but by 1981 I had met my future husband and moved first to SoHo, in downtown Manhattan, and then to Brooklyn. It is true that those first couple of years, when I was living near Columbia, I was very poor. It is true that I suffered in a difficult and stupid love affair and that I worked at one bad job after another to try to keep myself going. Nevertheless, I remember that time as extraordinary, and I wouldn’t trade it for anything. I don’t even wish now that I had had more money. And had I been asked if I was suffering at the time, I would have said a defiant
no.
After I left that neighborhood, however, I rarely returned to it. I saw my dissertation adviser three times in three years and then defended on a clear spring day in 1986. After that, I disappeared for good. Several years later, I returned, because my husband, Paul Auster, had been asked to give a talk at the Maison Française. Walking across campus made me feel sad, and I thought to myself, I wasn’t