drawing a middle-aged woman and she is laughing and flirting with him. I donât know why, but I feel sick. Maybe there was something dodgy in that damned baguette. I had my suspicions all along. I thought the lettucelooked way too limp to be fresh. I edge closer and see that the drawing is good. Excellent. But not as good as my drawing, and she laughs again and swishes her hair about. Christian puts his charcoal down, and she rummages in her handbag and pays him. Oh yes, she pays him! And then she âoooâs!â at the drawing. It is a good likeness, but he hasnât given her tempestuous hair or eyes that wouldnât look out of place in Wuthering Heights.
I stand behind him for a second, unsure whether to stay or whether this is the moment I should walk away and get on with my life. You know that feeling when your gut tells you something, and another part of your anatomy, your brain or your heart or your feet, tells you to ignore it. And before I can decide whether to follow my gut instinct and leave, he turns round.
His eyes light up. They do. I have never seen anyoneâs eyes light up for me before. Iâm sure I havenâtânot even Edâs eyes. And, my God, is it a heady feeling. âAli,â he says. âWhat are you doing here?â
âWatching a master at work,â I say with a laugh. How can I tell him what Iâm really doing, when Iâm not even sure myself? Thereâs an awkward moment where we both fidget and then we should both start to speak at the same time, but we donât. I do. âI came to say thank you for the drawing. I was in such a foul mood on Monday, I wanted to thank you for brightening my day.â
âYou brightened mine,â he says, and if itâs a line, it works.
âWell, thanks.â Fidget, fidget. âI wish youâd let me pay you.â
âIt was a gift.â
âWell, thanks.â Fidget, fidget. âIâd better be off.â
He stands hurriedly and nearly knocks his easel over. âHave you had lunch? I could have a break now. Thereâs no one waiting.â
And heâs right. Thereâs just the two of us in all this crowd.
âIâve had lunch.â
âCoffee,â he says. âHave you got time for coffee?â
I look at my watch as if Iâm undecided.
âThereâs a nice little place down here.â Those eyes are so hard to refuse. âThey do great cakes.â
âIâm on a diet.â Iâm not, but I probably should be.
âIâll eat one for you.â
I laugh. He is so eager to please. Eager to please me. Me, so used to pleasing everyone else but myself.
âOr we could go for a walk. Thereâs no calories in that.â
Or harm? I ask myself. âThe sunâs out.â
âWalk it is, then.â Christian smiles and packs up his little box with bits of charcoal in it and tucks it into a Nike rucksack and slings it on his back. Heâs wearing a huge white T-shirt smudged with the fruits of his labors and beige combat trousers that hang loosely on a frame that has not yet developed its full quota of muscles. The sort of clothes that Tanyaâs friends wear. We smile uneasily and set off toward Nealâs Yard, not touching but not far away. And this just feels wrong, so wrong.
Itâs impossible to talk as we try to stroll casually along. We keep having to part to let crowds of chattering French teenagers barge through. Why do they all dress in navy blue and behave badly? And why do they never have a schoolteacher with them? We cross over by Marks & Spencer. I head automatically for the Zebra crossing while Christian prefers to dodge the traffic, and I avoid thinking about tonightâs supper while I have this beautiful, beseeching boy by my side. This side of the road is more interesting, in my opinion, and quieter. We drift together again, still attempting to act like comfortable old friends.
âHave