approached the armchair gingerly. If you woke up Eppie too quickly, he was liable to swing something at you or call his dog on you, which was worse. The dog, Bruno, was nowhere to be seen, but I knew it was lurking.
I stopped five feet from the sleeping giant.
âProfessor Waldrup,â I announced.
He smiled, eyes still closed.
âDoc,â he squeaked. âThat you?â
âIâm afraid so.â
âChrist.â He looked me up and down. âYou look tired. Up all night?â
The boys at the Mustang stopped talking so they could listen to us, but were still pretending to look at the car.
âI came to see you,â I told him.
I knew what a figure I must have cut, over six feet tall, hair prematurely white, skin pale from too much indoor thinking, and dressed in black. I always tried to give the illusion of having casually thrown on whatever it was I wore, but the truth was more embarrassing. I enjoyed presenting a strange image. The details and origins of that enjoyment provided a lifetime of introspective analysis.
âYou come to tape-record me playing something again?â He sat up and blinked hard three times.
âSadly, no,â I said slowly.
âOh.â He sniffed, looked away, and shifted in his seat. âYou come to see that Volkswagen I got back there.â
I was always surprised at the leaps Eppieâs logic took, and the accuracy he enjoyed with them. He surmised that I was helping Skidmore with the accident investigation, as I had been known to do in the past.
âDonât get up,â I suggested, âjust point.â
âNaw,â he told me, twisting sideways in preparation to throw his bulk forward. âYou gonna have some questions.â
âYou saw something questionable?â
âMe?â He laughed. âNo. But I know you. You canât shut up with them questions.â
âI have a lot to learnââ I grinnedââso I have to ask.â
âThatâs the damn truth,â he groaned, leaning forward.
His hands strained on the arms of the chair, turned white as he pushed himself up and away, launching himself in my direction.
I followed behind him as we rounded the office. The boys allowed themselves to watch us, silent.
I cleared the corner and was stopped in my tracks by the gnarl of
orange metal that sat in cleared space with police tape around it. It looked like a giant, crumpled autumn leaf.
The next thing that struck me was that one of the doors was completely ripped in half, as if a chain saw had torn into it.
Eppie leaned against the back side of the shack and I approached the wreck, a little light-headed.
âTrain ripped the door like that?â I managed.
âThe police did that, or fire department, one,â he said softly, âto get the bodies out.â
The bodies. How could there have been anything left to get out? The car was a concave orange C, nearly two-dimensional. The engine had been ejected out the back end and was lying on the ground behind the wreck. The steering wheel had popped through the windshield. I couldnât even image how that had happened.
âTook âem two hours to get the bodies out,â Eppie said, anticipating my line of thinking. âThe good thing is, that curve in the tracks had the train slowed a little bit, I guess, and the direction of the hit pushed the car off the tracks so the train didnât carry it all the way until it stopped.â
âWhere did the train stop, did they say?â I asked.
âIt didnât completely come to a halt until it was past the old station.â He took a deep breath and started my way. âThey told me it would have been a whole lot worse if the train had been going at full speed.â
I turned toward him, glad to take my eyes off the wreck.
âFirst, I donât know how it could have been worse, but second, the train wasnât going full speed when it hit? Who said