assholes.â That time he was looking at me, but there was something more than the conversation at hand in his gaze. He looked like a man having a good time. He added, âYou know?â And then he looked from my face down my body. He wasnât rude or trying to be obvious about it; just a little more honest than I was used to.
âYeah,â I said. âI know what you mean.â
Nelson Solomon, the famous painter, looked back at me then. He pursed his lips and looked like a schoolboy caught checking out the new teacher. I thought I should keep things on track, so I said, âThings donât usually happen that way.â
âWhat do you mean?â
âPeople, even asshole bikers, donât usually start in with random strangers. Especially not when they have to get off their bike, climb a fence, and cross a field to do it. Must have been some reason.â
âMaybe he doesnât like art?â
âDo all your critics work so hard to make their point?â
âSometimes it feels like it,â he said, smiling again.
âCould this have been his property?â
âNo,â Nelson said, and it was the first time he sounded absolutely certain. âBank owns it.â
âDid the bank give you permission to be here?â I asked as I put a foot on the center strand of wire and pulled up on the top strand.
Just before ducking through he nodded again. Once back on the road side of the fence he said, âIâm a good customer.â
I didnât doubt that.
âSo, you donât know what the guy wanted?â
âHe wanted to kick my ass and he mostly did.â He said that with a self-deprecating smile that, if Iâm honest with myself, I enjoyed. Then he added, âI think he wanted me to be scared a little bit too.â That was the truest thing heâd said to me about the fight.
âBut you didnât just leave and call the sheriffâs department?â
âIâve had enough scares in my life.â
Thatâs when I looked at his eyes and saw the kind of resolve that can make a copâs life both easier and more difficult. You want to root for the good people who stand up for themselves, but at the same time you see the consequences of that every day.
âYou decided you just had to fight him, then?â
That grin again.
âThere was no fight. Mostly it was just me getting beat up. I was already finished up and packed, but I learned a long time ago, if you let the bastards take, they never stop. He started pushing me around when I told him to kiss my ass. Then he took hold of my painting and said he was keeping it, and I was leaving. Thatâs when I swung the field kit at him.â
I looked again out to the trees he had pointed to earlier. âOut there?â I asked. âThen how did all the mess get strewn around up here?â
I looked away and watched the big cube-shaped ambulance pull up behind my SUV.
âNo,â he said. âThat was where he left me on the ground. There, where everything spilled out, was where I caught up to him.â
âAnd I found you here because . . .â
âI caught up to him again at his bike. He must have gotten a good one in to my ribs, because I went down. Then the kicking started. Thatâs why I thought maybe there were more of them. It felt like I was being trampled.â
One of the EMTâs, an older man named Lawrence trotted up to me at the fence with his big kit.
âWhatâs up, Hurricane?â he asked.
I pointed over to Solomon.
âI donât need an ambulance,â he said, waving both hands in front of himself.
âGo with Lawrence,â I told him. âIf nothing else, heâll wipe some of that blood off your face.â
Solomon hit me with a look that said something there were no words for, but women always recognize. The surprising thing about it was that I didnât mind. Then the look blossomed into that
Thomas Jenner, Angeline Perkins