mountains, fleeing a doom already promised but not yet arrived.
I looked around with delight. Roy had read my mind again. The bright and dark stuff I threw on the midnight screens inside my camera obscura head he had stolen and blueprinted and built even before I had let them free with my mouth. Now, turnabout, I would use his miniature realities to flesh out my most peculiar odd script. My hero could hardly wait to sprint through this tiny land.
Manny Leiber stared, flabbergasted.
Roys dinosaur land was a country of phantoms revealed in an ancient and artificial dawn.
Enclosing this lost world were huge glass plates on which Roy had painted primordial junglescapes, tar swamps in which his creatures sank beneath skies as fiery and bitter as Martian sunsets, burning with a thousand shades of red.
I felt the same thrill I had felt when, in high school, Roy had taken me home and I had gasped as he swung his garage doors wide on, not automobiles, but creatures driven by ancient needs to rise, claw, chew, fly, shriek, and die through all our childhood nights.
And here, now, on Stage 13, Roys face burned above a whole miniature continent that Manny and I were stranded on.
I tiptoed across it, fearful of destroying any tiny thing. I reached a single covered sculpture platform and waited.
Surely this must be his greatest beast, the thing he had set himself to rear when, in our twenties, we had visited the primal corridors of our local natural history museum. Surely somewhere in the world this Beast had hidden in dusts, treading char, lost in Gods coal mines under our very tread! Hear! oh hear that subway sound, his primitive heart, and volcanic lungs shrieking to be set free! And had Roy set him free?
Ill be goddamned. Manny Leiber leaned toward the hidden monster. Do we see it
now
?
Yes, Roy said, thats it.
Manny touched the cover.
Wait, said Roy. I need one more day.
Liar! said Manny. I dont believe you got one goddamn bastard thing under that rag!
Manny took two steps. Roy jumped three.
At which instant, the Stage 13 set phone rang.
Before I could move, Manny grabbed it.
Well? he cried.
His face changed. Perhaps it got pale, perhaps not, but it changed.
I know that. He took a breath. I know that, too. Another breath; his face was getting red now. I knew
that
half an hour ago! Say, god damn it to hell, who is this!?
A wasp buzzed at the far end of the line. The phone had been hung up.
Son of a bitch!
Manny hurled the phone and I caught it.
Wrap me in a wet sheet, someone, this is a madhouse! Where was I? You!
He pointed at both of us.
Two days, not three. You damn well get the Beast out of the catbox and into the light or
At which point the outer door opened. A runt of a guy in a black suit, one of the studio chauffeurs, stood in a glare of light.
Now what? Manny shouted.
We got it here but the motor died. We just got it fixed.
Move out, then, for Christs sake!
Manny charged at him with one fist raised, but the door slammed, the runt was gone, so Manny had to turn and direct his explosion at us.
Im having your final checks made up, ready for Friday afternoon. Deliver, or youll never work again, either of you.
Roy said quietly, Do we get to keep it? Our Green Town, Illinois, offices? Now that you
see
these results you got from us fruitcakes?
Manny paused long enough to look back at the strange lost country like a kid in a fireworks factory.
Christ, he breathed, forgetting his problems for a moment, I got to admit you really
did
it. He stopped, angry at his own praise, and shifted gears. Now cut the cackle and move your buns!
Andbam! He was gone, too.
Standing in the midst of our ancient landscape, lost in time, Roy and I stared at one another.
Curiouser and curiouser, said Roy. Then, You really going to do it? Write two versions of the script? One for him, one for
us
?
Yep!
Richard Ellis Preston Jr.