you,â I said, as she took Philâs hand and started walking out the door.
Just before they reached the door, Phil turned, her hand in his, and looked at me. He smiled.
I blew him a kiss.
I heard them work their way down the narrow, winding steps. Van had stopped singing and the quiet that replaced him felt thick and decayed. I sat in Angieâs chair, saw them below me. Phil was getting in the car, Angie standing at the passenger door, holding the handle. Her head was down and I got the feeling she was making a conscious effort not to look back up at the window. Phil opened her door from the inside, and a moment after she got in, they pulled out into traffic.
I looked at my boom box, at the cassettes scattered around it. I considered taking Van out and putting in some Dire Straits. Or maybe some Stones. No. Janeâs Addiction perhaps. Springsteen? Something really different, then. Ladysmith-Black-Mambazo or The Chieftains. I considered them all. I considered what would best fit my mood. I considered picking up the boom box and hurling it across the room at the exact spot where Phil had turned, Angieâs hand in his, and smiled.
But I didnât. Itâd pass.
Everything did. Sooner or later.
5
I left the church a few minutes later. Nothing left to keep me. I walked through the empty schoolyard, kicked a can in front of me as I went. I passed through the opening in the short wrought-iron fence that lined the yard and crossed the avenue to my apartment. I live directly across from the church in a blue-and-white three-decker that somehow missed the scourge of aluminum siding that overtook all its neighbors. My landlord is an old Hungarian farmer whose last name I couldnât pronounce with a year of practice. He spends all day fussing about in the yard, and heâs said maybe a total of two hundred and fifty words to me in the five years Iâve lived there. The words are usually the same and there are three of them: âWhereâs my rent?â Heâs a mean old bastard, but heâs unfriendly.
I let myself into my second-floor apartment and tossed the bills that awaited me on a pile on the coffee table with their relatives. There were no women camped by my door, inside or out, but there were seven messages on my answering machine.
Three were from Gina of the Bubble Bath. Each of her messages was backed by the grunts and moans emanating from the aerobics studio where she worked. Nothing like a little summer sweat to get the wheels of passion turning.
One was from my sister, Erin, long distance from Seattle. âStaying out of trouble, kid?â My sister. Iâll have my teeth in a glass and a face like a prune, and sheâll still be calling me âkid.â Another was from Bubba Rogowski, wonderingif I wanted to have a beer, shoot some pool. Bubba sounded drunk, which meant someone would bleed tonight. I nixed the invitation as a matter of course. Someone, I think it was Lauren, called to make nasty promises concerning a pair of rusty scissors and my genitalia. I was trying to recall our last date to decide if my behavior warranted such extreme measures, when Mulkernâs voice drifted into the room and I forgot all about Lauren.
âPat, lad, itâs Sterling Mulkern. I assume youâre out earning your money, which is grand, but I wonder if you had the time to read todayâs Trib? That dear boy, Colgan, was at my throat again. Ah, the boy would have accused your own father of setting fires just so he could put them out. A real Peckâs bad boy, that Richie Colgan. I wonder, Pat, if you might have a word with him, ask him to lighten up a bit on an old man for a time? Just a thought. Weâve a table for lunch at the Copley, Saturday at one. Donât forget.â The recording ended with a dial tone, then the cassette began rewinding.
I stared at the small machine. He wondered if I might have a word with Richie Colgan. Just a thought. Toss in the
Elizabeth Amelia Barrington