this?â
âThe Friends of St Lukeâs Theatre are auditioning for their summer play. Theyâre throwing it open to all this year because weâre using it as preparation for the Drama School. See who comes in, sniff out talent, get local interest.â Money, she meant.
The Friends, a redoubtable group of local ladies, wouldbe one of the great supports of the new Drama School if she was lucky.
âWhat are they doing?â
âOh, an Agatha Christie mystery. It usually is.â
In bed that night Stella turned to her husband. âItâs nice on the top of the tower like this. I think I prefer it to my place.â
Both the animals had come up with them, Bob on the bed and the cat watching from the window through which he would shortly depart on to a lower roof.
âOpen the window for Tiddles.â
Coffin, who was making a neat pile of his possessions on his bed table, coins stacked, clean handkerchief beside the pile, keys by a pad of paper with a pencil, obliged.
âFunny business about Letty and the daughter,â said Stella. âI donât always understand her.â
âWho does?â
Letty was his much younger sister, child of his errant mother and an American serviceman. There was a third sibling called William, issue of yet another father, who was a successful lawyer in Edinburgh. The one thing you could say about his disappearing mother (who must be presumed dead) was that her offspring were surprisingly different and surprisingly successful. He himself had lived in ignorance for years of his true parenthood and of the existence of Letty and William. Even now, he found it hard to believe in them. Well, not Letty. She was around so much. But he still felt surprise sometimes when she walked through the door.
âDid you believe what she said?â
âWell, you can never tell with Letty ⦠No, not altogether.â
âWhatâs this private detective like?â
âYou know him,â Coffin said tersely. He did not like to be reminded.
âI met him once and I paid his bill, thatâs all. Is he honest?â
âAs far as I know.â
Stella settled back against the pillows. Without anyconscious effort, she had turned what had been a bachelorâs masculine bedroom into a feminine boudoir. The fourposter bed, an early extravagance of Coffinâs, had been piled with pillows and silk cushions. She had brought in an embroidered bedcover and there was always a scent of rose geranium.
Coffin liked it but sometimes felt like a member of an alien species.
âJohn â¦?â
âYes?â
âWhy did Job Titus say that about Marianna coming to the Theatre?â
âHe just wanted to vomit in my backyard,â said Coffin with some bitterness.
There was silence for a moment.
âI donât like this stalker,â she said softly. âCharley frightens me.â
He drew her down towards him. âDonât worry, Iâll look after you.â
And Letty, and Lettyâs child, and Annie Briggs and all the people in my command.
But he knew that whatever he said he could not offer total protection. The lunatic always got through.
Annie Briggs, formerly Dunne, was pleased to see her younger sister home. âHow did the audition go?â
âI think Iâm in. Just a small part, one of the policewomen in Witness for the Prosecution, was a man originally but they have more women auditioning. Iâve got some good lines.â
âI am glad, dear.â And glad you are home, I am always nervous when you are out late.
âIâm in the second company.â Anxious to take in as many young amateurs as possible, the ruling body, the Friends, had decided to have two casts who would appear alternately throughout the run of two weeks.
âYouâd be surprised at the people who turned up. Even one of those Creeleys.â
âAh.â
Didi did not share her sisterâs terror of the