surface or edge in which it could be reflected and so the light ceased, vanished, and because the straining eye could find nothing to fix on, there was no darkness or blackness there, nothing but nothingness itself.
I had arrived in Heiligendamm in the late afternoon, just before sunset, and I set out for Nienhagen after dark, when the moon was already up.
I couldn't tell what was out there, the map indicated marshland, the guidebook mentioned a swamp, and whatever it was, it lay deep.
And silent.
As if the wind had halted and turned back over the embankment, stopped blowing there.
Was it covered with reeds or sedge, or, disguising itself as plain soil, did plain grass grow over it?
There was a time when the possibility of seeing ghosts gave me a thrill; now the thought that only nothingness was out there seemed far more terrifying.
Back then, years earlier —and much as I'd like to avoid it I shall speak about this at greater length later—if a shadow, a movement, or a noise unexpectedly materialized in something palpable and called me by name from behind my back, spoke to me or seemed to be listening to me, I knew it to be the very embodiment of my fears; now, whatever this was, it just lay over that moor, made no movement, emitted no sound, cast no shadow.
It merely kept watch.
Hung there over the marsh, an empty shell, an alien thing watching scornfully whoever strayed this way, and this scorn was disconcerting.
I wouldn't say it was frightening, more like chastening; its power lay in reining in my overwrought imagination, which wanted to gallop freely and invent its own story; it scorned all such ambition and gave me to understand that it was responsible for confounding my sense of time; it created the gaps through which I could peer into my soul, and in return for the playful doubling of my self, all it asked me was that I not forget it, which meant that I should not believe my own self-serving stories; and if I had neither the courage nor the good sense to do away with myself, I should at least be aware of as of a pain, and know that it was here, outside me but able any time to reach inside and touch my so-called vital organs, of which —no matter how cleverly I try to manipulate things, to become independent of it —I had no more than one or two; my existence could not be replaced by my imagination; I should not be too sure of myself, should not delude myself that a setting such as this, a moonlit night by the sea, could make me free, let alone happy.
I was standing up by then, and like one who has just completed his compulsory daily devotion, I reached down and with an involuntary movement dusted off my pants.
Much as I would have liked to excuse this little movement as a telltale sign of instilled orderliness, it made me feel again just how ridiculous I was, how fraudulent, and I quickly turned around and wondered if it might not be a good idea to go back, since after all, I could buy cigarettes in the restaurant, where I had had a pleasant meal earlier on, sitting in a comfortably furnished room set off by a glass door; I could even get a cup of tea there, the place stayed open until ten; the wind kept howling, and I would have loved to howl along with it and throw myself on the rocks, but by now I had got quite far from Heiligendamm, I hadn't even noticed how far, and seemed to be on higher ground, too, because somewhere below, on the line dividing land and water, the twinkling of a few tiny stars suggested the presence of houses, and I would have been at least as ashamed of taking flight as I was disturbed by the vacuous stare of the marsh at my back.
I thought about how to continue.
I could not walk without part of my body, mostly my back, coming into contact with it, but what if I turned down to the beach?
When this idea occurred to me —quite uselessly, since by now I could clearly see the surf exploding in the yellow moonlight, pounding away at the foot of the embankment, and one part of my