his oldest sister was an event.
âNedâs after taking Kathleenâs letter,â his aunt told him. âHeâs in one of his moods, so leave it with him for now. Ursula has a letter from Henry Mooney, though.â
âIs someone ill in Dublin? The babby?â Frank always expected bad news.
âTheyâre all in good form,â Ursula assured him, âthough Isabellaâs hardly a babby anymore. Sheâll be three this autumn and I have yet to see her. Theyâre urging me to visit them in Dublin.â
âNed wonât let you go,â Frank said.
âIâm too old to need his permission.â
Lucy gave her a look. The two got along well enough, but a glimmer of jealousy was surfacing between them. âHow old are you then?â Lucy asked maliciously.
Ursula responded as she always did to a challenge, with sparkling eyes and a rush of color to her cheeks. âOld enough to travel! Let me remind you that I went up to Dublin on my own for Henry and Ellaâs wedding. And Iâll go now if I choose, with or without Papaâs permission.â
Lucy exhaled sharply. âYou wouldnât defy your own father!â But she knew otherwise. Lucy and Eileen Halloran were the products of a highly conservative rural society. Nedâs daughter was made of different clay.
With an exasperated sigh, Norah Daly turned from the range. âLeave it be. I told you before; I want no rows in this house. Was the war not bad enough?â
âWhich war?â Ursula asked. âThe one we won or the one we lost?â
Next morning, the ticket agent at the Ennis railway station greeted the girl warmly. Everyone knew Ursula Halloran. Her father had fought the British from the General Post Office in 1916. In Clare there were no better credentials.
Chapter Two
âSo you sneaked off to Dublin without telling anyone.â Henry Mooney chuckled. âI did that myself, first time I came up to the Big Smoke.â
âYou always said itâs easier to apologize afterward than to ask permission beforehand.â
âThatâs a motto for newspaper reporters, Ursula,â Ella chided, ânot an excuse for bad manners.â
They were sitting in the parlor of the Mooneysâ semi-detached Georgian villa in Dublinâs Sandymount Avenue. The couple were a study in contrasts. Henry, in his early forties, was well built in spite of rounded shoulders and a tendency to slouch. His eyes were enmeshed in laugh lines. His deep, calm voice with its west-of-Ireland accent elicited confidences. Even strangers trusted him.
Born into the upper levels of Dublin society, Ella Rutledge Mooney was a strawberry blond with dark amber eyes and a hand-span waist. Her anglicized enunciation identified her as a member of the Protestant Ascendancy, the propertied class in Ireland. Some mistook Ellaâs finishing-school manners for hauteurâuntil they saw her smile and fell in love, as Henry had done, with her dimples.
Earlier this evening they had taken Ursula upstairs to visit little Isabella in the nursery, under the watchful eye of Tilly Burgess, the Mooneysâ housekeeper. Tilly was a necessary part of the household. Like other women of her class, Ella had been brought up to marry, not to cook and clean. Besides, Tilly was the only person who could control the headstrong Isabella. The childâs parents were too doting for discipline.
Now as they sat in the parlor, Henry asked Ursula, âHow do you like my beautiful daughter?â
âShe really is beautiful. But why did you call her Isabella? Doesnât the Church want children to be given saintsâ names?â
Ella said, âSince we married weâve drifted away from organized religion. Henryâs Roman Catholicâ¦â
âBackslid Roman Catholic,â Henry interjected.
âAnd I was raised Anglican,â Ella went on imperturbably, âbut weâve seen so many