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then became aware that dark-cloaked men were running from every alleyway to line the open space. They were archers, who began loosing arrows at the high battlements. Flights of arrows; not the short, leather-fledged, metal bolts of crossbowmen, but English arrows, white-feathered and long, speeding silently up to the wall’s top, propelled by the great yew war bows with their hempen strings that gave a harp’s sharp note for every missile shot. The arrows trembled as they left the string, then their feathers caught the air and they streaked up, white flashes in the dark, the firelight glistening from their steel points, and the monk noted how the defenders’ bolts, so thick a moment ago, were suddenly sparse. The archers were drenching the castle’s defenders with arrows, forcing the crossbowmen to duck behind the wall’s parapet, while other bowmen shot at the slits in the flanking towers. The sound of the steel heads striking the castle walls was like hail on cobbles. One archer fell back, a bolt in his chest, but that was the only casualty the monk saw, and then he heard the wheels.
    ‘Stand back,’ Sam warned him, and the priest stepped into the alley as a cart thundered past him. It was a small cart, light enough for six men to push, but it had been made heavier because ten great pavises, man-sized shields designed to protect a crossbowman as he reloaded his clumsy weapon, had been nailed to the front and sides to protect the men who pushed the cart, which was loaded with small wooden barrels.
    ‘Much less than an hour,’ Sam said, stepping into the street when the cart had passed. He drew the big bow and sent an arrow towards the castle’s gate.
    It was all strangely silent. Bother Michael had expected battle to be noise, he had expected to hear men calling to God for the sake of their souls, to hear voices raised in fear or pain, but the only sounds were the shrieks of the women in the lower town, the crackle of the flames, the harp-notes of the bows, the sound of
the cart’s wheels on the cobbles, and the rattle of bolts and arrows clattering on stone. Michael stared in awe as Sam kept shooting, not seeming to aim, but just whipping shaft after shaft at the castle’s battlements.
    ‘Good thing we can see,’ Sam said, releasing another arrow.
    ‘The flames, you mean?’
    ‘That’s why we set fire to the houses,’ Sam said, ‘to light up the bastards.’ He loosed another shaft, seemingly without effort; when Brother Michael had once tried to draw a yew bow he had not been able to pull the string more than a hand’s breadth.
    The cart had reached the castle’s gate now. It stopped there, a black shadow inside the dark archway, and Brother Michael saw a flicker of light spring up in that darkness, fade, revive, then steady to a dull glow as the six men who had pushed the cart ran back towards the archers. One of them fell, evidently struck by a crossbow bolt. Two of the others snatched his arms and dragged him back, and it was then that the monk caught his first sight of
le Bâtard
.
    ‘That’s him,’ Sam said fondly, ‘our bloody bastard.’ Brother Michael saw a tall man dressed in a belted haubergeon of chain mail that had been painted black. He had high boots, a black sword scabbard and his helmet was a simple bascinet that was black like his mail. His sword was drawn and he used it to wave a dozen men-at-arms forward, forming them in a line, shields overlapping, in the open space. He glanced towards Brother Michael, who saw
le Bâtard
’s nose was broken and his cheek scarred, but he also saw a force in the face, a savagery, and he understood why the abbot at Paville had spoken of this man with awe. Brother Michael had expected
le Bâtard
to be an older man, and was surprised that the black-armoured soldier looked so young. Then
le Bâtard
saw Sam. ‘I thought you were guarding the church, Sam,’ he said.
    ‘Poxface and Johnny are still there,’ Sam said, ‘but I brought this fellow to