themselves as they exited a church. Old men argued in Italian over dominoes at tables set up on the sidewalk. In the middle of it all, a blind man played âThatâs Amoreâ on an accordion.
Tony decided heâd better ask somebody where the Freedom Trail went. He turned to the shop directly behind him. In the display window was a dusty jumble of furniture, vases, antique clothes, and framed maps. He glanced up at the purple-striped awning overhead: Y E O LDE C URIOSITY S HOPPE , M ILDRED P ICKLES , P ROPESS .
A tiny bell jangled as he passed through the front door. Hegave his eyes a few seconds to adjust to the gloom. The store was crammed full of old machines and mysterious mechanical devices; Buddhas and Madonnas and Shiva-the-Destroyers; rickshaws and telescopes and red-lacquered chests with dozens of puzzlelike drawers; a gilded glass case full of crystals and geodes; carved elephant tusks and a stuffed mongoose entwined with a snake. On the right, there was an entire wall of dusty leather-bound books. On the leftâ
Tony did a double take. Standing behind a counter of rough-hewn slate was a girl a couple of years older than him. She wore a long purple dress, a white apron, and a gathered cotton cap, though she also had punked-out black hair and a nose ring. Tony made his way over. Carved into the top of the counter was an odd spiral. Hanging overhead was a very old American flag.
As for the Colonial Maid Goth Chick, she didnât bother to look up from the book she was readingâ
Astrophysics for Dummies
âuntil Tony cleared his throat. That was when he noticed her eyes. Not blue, and not brown. Violet. Heâd never seen anyone with purple irises before. She curtly informed him the video shop was a few doors down, just past the hardware store.
âIâm guessing youâre not Mildred Pickles?â Tony said. âThe proprie
tress
.â
âCourse not,â she said, then went back to her book.
Tony had every intention of asking her for directions, ofcourse. But that wasnât what came out of his mouth next. âYou donât see many of Francis Hopkinsonâs quincuncial layouts these days,â he said, âoutside of museums.â He was referring to the Stars and Stripes above her head.
That caught Colonial Maid Goth Chickâs attention. âMost people think itâs a Betsy Ross,â she said. Her voice was surprisingly scratchy and low, like Peppermint Pattyâs in a classic
Peanuts
cartoon.
âBetsy Ross arranged the stars in a circle,â Tony said, cribbing from Michaelâs lecture on flags during their last family trip to the Smithsonian in Washington, D.C. âBut she was just copying someone else as a seamstress. We donât know who
created
her circular design. All we really know for sure is that Congress adopted Hopkinsonâs straight-across layout as the
official
American flag in 1777.â
âDude, did you
want
something?â Colonial Maid Goth Chick said. But she was obviously impressed.
âToo bad the first star in the fourth row is missing,â Tony said. âIf itâs real, your flag would be worth a lot more money.â
âItâs real. But itâs not for sale,â she said. âMildredâs great-great-great-plus-grandmother Abigail plucked the star off when she was a girl. The ninth star represented the new state of Massachusettsâthough, technically speaking, Massachusetts isnâta state, itâs a commonwealth. But no one knows why, or what she did with it.â
âSo there
is
a real Mildred Pickles,â Tony said.
âWho said there wasnât?â she said.
âYou got any Freedom Trail maps?â Tony said.
âNope.â
âCan I ask you something else?â he said.
She rolled her eyes.
âDoes Mildred Pickles make you dress like that to work here?â
âI donât work here,â she said. She didnât
Brian A de'Ville, Stewart Vaughan