chapters in seven countries. The number kept changing. Five, seven, four, eight. We met in simple structures that we built ourselves. Mastabas. Inspired by tombs in very ancient Egypt.â
âMastabas.â
âFlat roof, sloped walls, rectangular base.â
âYou met in tombs.â
âWe were fiercely awaiting the year, the day, the moment.â
âSomething would happen.â
âWhat would it be? A meteoroid, a solid mass of stone or metal. An asteroid falling from space, two hundred kilometers in diameter. We knew the astrophysics. An object striking the earth.â
âYou wanted it to happen.â
âWe lusted after it. We prayed for it incessantly. It would come from out there, the great expanse of the galaxies, the infinite reach that contains every particle of matter. All the mysteries.â
âThen it happened.â
âThings fall into the ocean. Satellites falling out of orbit, space probes, space debris, pieces of space junk, man-made. Always the ocean,â he said. âThen it happened. A thing hits skimmingly.â
âChelyabinsk,â I said.
He let the name dangle. The name itself was a justification. Such events really happen. Those who devote themselves to the occurrence of such events, whatever the scale, whatever the damage, are not dealing in make-believe.
He said, âSiberia was put there to catch these things.â
I understood that he did not see the person he was talking to. He had the drifterâs inclination to be impervious to names and faces. These were interchangeable components room to room, country to country. He did not talk so much as narrate. He traced a wavy line, his, and there was usually someone willing to be the random body that he told his stories to.
âI know thereâs a hospice here. Is this where you talk to the dying?â
âThey call it a hospice. They call it a safehold. I donât know what it is. An escort takes me there every day, down in the numbered levels.â
He talked about advanced equipment, trained staff. Still, it made him think of twelfth-century Jerusalem, he said, where an order of knights cared for the pilgrims. He imagined at times that he was walking among lepers and plague victims, seeing gaunt faces from old Flemish paintings.
âI think of the bleedings, purgings and baths administered by the knights, the Templars. People from everywhere, the sick and dying, those who tend to them, those who pray for them.â
âThen you remember who and where you are.â
âI remember who I am. I am the hospitaler. Where I am, this has never mattered.â
Ross had also made a reference to pilgrims. This place may not have been intended as the new Jerusalem but people made long journeys to find a form of higher being here, or at least a scientific process that will keep their body tissue from decomposing.
âDoes your room have a window?â
âI donât want a window. Whatâs on the other side of a window? Pure dumb distraction.â
âBut the room itself, if itâs like my room, the size of it.â
âThe room is a solace, a meditation. I can raise my hand and touch the ceiling.â
âA monkâs cell, yes. And the cloak. Iâm looking at the cloak youâre wearing.â
âItâs called a scapular.â
âA monkâs cloak. But so unmonklike. Arenât such cloaks gray or brown or black or white?â
âRussian monks, Greek monks.â
âOkay.â
âCarthusian monks, Franciscan monks, Tibetan monks. Monks in Japan, monks in the Sinai desert.â
âYour cloak, this one. Where is it from?â
âI saw it draped over a chair. I still visualize the scene.â
âYou took it.â
âThe moment I saw it, I knew it was mine. It was predetermined.â
I could have asked a question or two. Whose chair, which room, what city, which country? But I understood that this