to the hair station and spot Eliza right away. Heâs quite a character. Exactly the type you donât want to combine with a hangover.
âOh my God, honey! Look what the cat dragged in.â
Blood rushes to my cheeks. âSorry Iâm lateâ¦and sorry my hair isâ¦well, like this.â
Despite the âlook what the cat dragged inâ comment and the wrinkled nose, I get a kind reply. âIâll have my manservant start you up, and youâll be in tiptop shape in no time.â
âHeâs your assistant, not your manservant. Be nice,â I tell him, attempting to be cool and relaxed like an edgier model would probably be after arriving late.
Elizaâs assistant gives me a smile. âHeâs just mad at me because Iâm younger than him.â
âTheyâre breeding assistants snarkier and snarkier with every passing day. So where were you last night? Avenue, 1 Oak, or Marquee? Why didnât you invite little old me? Not cool enough?â
Iâm saved from answering when Alan comes over and talks to Eliza in hushed tones, gesturing to his watch. Eventually, he scurries away to set.
âSomeoneâs got their britches in a tizzy. Okay, manservant, we need to get her done ten minutes ago, so double-time, chop, chop. Hair needs to stand up like a candle. And get makeup in here too. Tell her breakfast is over.â
Now my curiosity is kicking in. âWhatâs the concept?â
âDidnât you see the set, darling?â
I shake my head. When would I have had time to look around?
âItâs a birthday cake, and youâre going to be the decadent gothic ornament.â
I suppress a sigh. Iâd been hoping for something outside of the sweet labelâwhich would rule out posing on top of frosting and cakeâthough I donât know why I thought it would actually happen, considering how my castings have gone lately. But Marc Jacobs is all about being ahead of the trends, so I thought maybeâ¦
Doesnât matter right now. I need to focus and be glad I have a job today.
I walk over to the anxiety-ridden stylistâs station. Emmy has five different dresses steamed and ready to go. Iâm not so disappointed in the concept that I canât take a second to swoon over the bold graphics mixed with the gothic nineteen twenties styling. Itâs a beautiful collection. And itâs Marc Jacobs. Not exactly shabby.
I dress quickly, being careful not to mess up the big fancy bow in my hair and all the confetti. Alonzo, the Italian photographer, seems to have no issue with the late start of everything. Still, I apologize.
âItâs no problem, bella. I get to enjoy my espresso and make sure the light is perfect for you, so you look like an angel.â
Would he still call me that if he knew about my night?
I blush again, taking my place on top of the huge white cake, using the prop stylistâs hand to get up there. No doubt it was good for me to go out and be spontaneous, but this morning-after stuff is embarrassing.
The prop stylist gives me the lowdown on the set and where I can step and where I canât.
âJust be careful of the gumdropsâtheyâre hollow. You could get your leg stuck, and the undercarriage is all plywood.â
I avoid thinking about legs getting stuck and switch up my pose. But my mind is racing with thoughts of hangovers and last nightâs hookup. The hookup who failed to exit the apartment prior to the morning like he should have. Iâm pretty sure I flunked one-night stand 101.
I donât make it five minutes without the photographer calling out for Emmy.
âWe need her to look moreâ¦what do you Americans say? Bad to the bone? Maybe she needs a necklace or a bag?â He turns to me. âAnd Finley, could you give me more anger, more aggressive facial expressions?â
Here we go again. Too sweet.
âToo angry,â Alonso says, reacting to my mood