onââ
âUnless they were as strong-minded as us,â Magrat pointed out.
âUnless that, of course,â said Granny, staring at her fingernails. âThough the thing with crowns is, it isnât the putting them on thatâs the problem, itâs the taking them off.â
Magrat picked it up and turned it over in her hands.
âItâs not as though it even looks much like a crown,â she said.
âYouâve seen a lot, I expect,â said Granny. âYouâd be an expert on them, naturally.â
âSeen a fair few. Theyâve got a lot more jewels on them, and cloth bits in the middle,â said Magrat defiantly. âThis is just a thin little thingââ
âMagrat Garlick!â
âI have. When I was being trained up by Goodie Whemperââ
ââmaysherestinpeaceââ
ââmaysherestinpeace, she used to take me over to Razorback or into Lancre whenever the strolling players were in town. She was very keen on the theatre. Theyâve got more crowns than you can shake a stick at although, mindââ she paused â âGoodie did say theyâre made of tin and paper and stuff. And just glass for the jewels. But they look more realler than this one. Do you think thatâs strange?â
âThings that try to look like things often do look more like things than things. Well-known fact,â said Granny. âBut I donât hold with encouraging it. What do they stroll about playing, then, in these crowns?â
âYou donât know about the theatre?â said Magrat.
Granny Weatherwax, who never declared her ignorance of anything, didnât hesitate. âOh, yes,â she said. âItâs one of
them
style of things, then, is it?â
âGoodie Whemper said it held a mirror up to life,â said Magrat. âShe said it always cheered her up.â
âI expect it would,â said Granny, striking out. âPlayed properly, at any rate. Good people, are they, these theatre players?â
âI think so.â
âAnd they stroll around the country, you say?â said Granny thoughtfully, looking towards the scullery door.
âAll over the place. Thereâs a troupe in Lancre now, I heard. I havenât been because, you know.â Magrat looked down. âTis not right, a woman going into such places by herself.â
Granny nodded. She thoroughly approved of such sentiments so long as there was, of course, no suggestion that they applied to her.
She drummed her fingers on Magratâs tablecloth.
âRight,â she said. âAnd why not? Go and tell Gytha to wrap the baby up well. Itâs a long time since I heard a theatre played properly.â
Magrat was entranced, as usual. The theatre was no more than some lengths of painted sacking, a plank stage laid over a few barrels, and half a dozen benches set out in the village square. But at the same time it had also managed to become The Castle, Another Part of the Castle, The Same Part A Little Later, The Battlefield and now it was A Road Outside the City. The afternoon would have been perfect if it wasnât for Granny Weatherwax.
After several piercing glares at the three-man orchestra to see if she could work out which instrument the theatre was, the old witch had finally paid attention to the stage, and it was beginning to become apparent to Magrat that there were certain fundamental aspects of the theatre that Granny had not yet grasped.
She was currently bouncing up and down on her stool with rage.
âHeâs killed him,â she hissed. âWhy isnât anyone doing anything about it? Heâs killed him! And right up there in front of everyone!â
Magrat held on desperately to her colleagueâs arm as she struggled to get to her feet.
âItâs all right,â she whispered. âHeâs not dead!â
âAre you calling me a liar, my girl?â