gown with a grubby bunny on the pocket. I take a quick look over my shoulder. Wouldnât she rather passers-by didnât see her like this? I say, âArenât you going to ask me in?â
She stands back and I step into the hallway. When she shuts the door itâs almost pitch-black â until a door opens on the right-hand side of the narrow passage. A deeply wrinkled old woman comes out, pulling a wheeled basket. She eyes Lisa.
âWhat was that all about last night?â she says. âI need my beauty sleep, you know.â
I open the front door for her, and she winks at me.
After the woman has bumped her basket over the front step, I close the door behind her.
Lisaâs already climbing the stairs. âYouâd best come up.â
I follow her. Someoneâs painted 24a , badly, on the door to the flat, which is really only a bedsit with an unmade bed taking up most of the room. The greasy-looking green velvet headboard is disgusting, rubbed bald in two patches â I suppose by the different pairs of heads over the years. Behind the bed, just on that one wall, thereâs peeling wallpaper picturing exotic birds perched on twisted branches. In a corner of the room, half-hidden by a sagging orange and brown curtain, thereâs a teetering pile of old pizza boxes, ready to slide off the mini draining board. Do they call that the kitchen?
I need the loo, though I only went just before I left home. âWhereâs your toilet?â
She says, âYou passed it on the half-landing.â
âWonât be a minute.â
The door has BATHROOM written on it. Inside, the bolt doesnât work properly. If you sat on the loo, next to the bath, youâd be too far away to stick your foot out and stop someone coming in. Iâll be hovering, not sitting. Thereâs a notice over the bath: CLEAN THE BATH AFTER USE . How many people use this bath? However many there are, thereâs no sign of anyone cleaning it. I pull the old-fashioned lavatory chain, holding it high above the handle everyone else probably uses. After a quick glance at the wash basin, I reckon thereâs less risk of catching anything if I donât wash my hands.
Back in the room, I tell Lisa sheâs practically out of bog roll. Then I ask, âWhat did the old woman mean?â
âWhat?â
âAbout last night,â I say. âWhat were you up to?â
She slumps onto the bed. âJust a fight. No big deal.â
âYou and Darren?â
Her lips narrow to a thin line. âThat low life is yesterdayâs news. I donât ever want to hear his name again.â
When she gets up and starts rummaging in her make-up bag on the window sill, I spot four pound coins on a bedside table. She finds a cleansing pad and sits on the bed again. Pulling at the skin round her eyes, she attacks the leftover mascara. I tell her sheâll dig an eye out if sheâs not careful.
She looks at me like sheâs a little girl, and Iâm the big sister. âIâm thinking of coming home,â she says, and screws up her left eye. âMum wonât mind, will she?â
I donât let on thisâll make Mum deliriously happy. I donât let on thisâll make me happy. âYouâll have to pay your way. Mumâs not too good, thereâs extras she needs.â
âLike what?â
I look at the coins. âFood and stuff.â
She falls back onto the rumpled sheets, snorting a false laugh. âYeah, well, weâve all got to eat.â This is so typical â her never taking anything seriously â that I want to retaliate: tell her the real extra that Mum would benefit from would be seeing Lisa do her fair share of chores round the house. Without moaning all the time. But I hold back because my eye is on those coins.
So all I say is, âFoodâs expensive, you know.â
âWhatever,â she says, and I can see sheâs so
Skeleton Key, Konstanz Silverbow