admittance to the dance, you are to remain inside the building.
7. No loitering or sitting in cars on church grounds.
8. Automobiles shall be driven in a quiet and courteous manner, so as not to disturb the residents in the area.
9. No acrobatics, bear-hugging, bumping, rolling on floor, or exhibitions.
10. Personal conduct and behavior shall be that expected from exemplary young ladies and gentlemen.
âCan you agree to these rules?â the bishop asked.
I said that I could.
âVery good,â he said, taking the slip of paper from me and laboriously signing his name to it. âHave you considered joining our church?â he asked as he handed my dance card back.
I hadnât. âI might,â I said, knowing that was the answer he wanted to hear. He regarded me cautiously.
âYou might attend with Jenny and her family,â the bishop said. I wondered if he knew about Jennyâs parentsâ marital status, guessing that he didnât. The topic was never broached in Jennyâs house, or in her cousinâs house, everyone pretending like the fact that Jennyâs mother and father were still married but not living in the same house was as natural as their counterparts living together.
The next question caught me off guard. âHave you and Jenny been intimate?â
I couldnât tell if the bishop was joking or not, so I laughed, suppressing a sickening feeling that was building in my stomach. I answered no automatically, not just because it was the truth but because I hoped the answer would stifle the look of surprise on my face.
âHave you been tempted?â he asked.
I fumbled through a series of âumsâ and âwells,â stuttering until I gave up and smiled.
âItâs okay,â the bishop said. âWeâre all tempted. Moral character is defined by how we react to temptation. I hope youâll continue to consider your moral character in the face of temptation. And Jennyâs, too.â
I assured him I would, and we both stood, shaking hands. I excused myself and wandered through the empty church halls, treading on the brown carpet past the chapel, stocked with plain wooden pews. I couldnât imagine then that the room would be the venue for one of my most dramatic and regrettable performances.
Wednesday
I know Jane canât leave me. She knows Iâm irreplaceable, and Iâm glad because frankly I donât want to replace her. We have got a good thing and not everyone can keep a perfect balance like we do.
âAre you coming with me or not?â Jane demands.
âWhy does it matter where you live?â I ask. âI donât want to live in California.â
âWell, I do,â she says.
âWhy canât we just keep doing what weâre doing here?â
âIâm tired of being here.â
Then I say: âLook, I want you to stay.â
Jane starts to melt and I feel a little guilty for employing such tactics, but the truth is I
do
want her to stay. But I also know itâs only because I want to sustain what we have and that someday our relationship will inevitably ebb and float away.
âI canât imagine staying here.â Her voice softens.
âWhat you imagine happening somewhere else is exactly what will happen here,â I say.
âWhat does that mean?â
âIt means that if youâre going to run, make sure youâre running
to
, and not
away
.â
âIâm not running
away
from anything,â she shoots back.
âWhat are you running
to
, then?â I ask.
âIâm not running,
period
.â Her voice grows louder. âIâm simply just
tired
of here.â The emphasis on âtiredâ insinuates that she is tired of me, too, but I pretend that Iâm oblivious and I just sit there and smirk.
âWhy do you have to be so confrontational all the time?â I ask, knowing what this will do to her.
âMe?