were married still, in a manner that approximated happiness, and I knew she regarded divorce as the first refuge of the weak in character and the last of the hopelessly incompetent. I felt as you feel when you’ve forced an honest person to lie for you, or a thrifty person to blow his paycheck on one of your worthless tips. I also felt that I loved Emily, but in the fragmentary, half-narrative way you love people when you’re stoned. I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat on a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved all of these things—beyond reason, and with a longing that made me want to hang my head—but it was a love that felt an awful lot like nostalgia. I hung my head.
“Grady, what happened?” said Crabtree, leaning forward to rest his chin on the back of my seat. I could feel the ends of his long hair against my neck. He was giving off a faint whiff of Cristalle himself now, and the dual memory of Emily and Sara it stirred up inside me seemed particularly cruel. “What did you do?”
“I broke her heart,” I said. “I think she found out about Sara and me.”
“How?”
“I don’t know,” I said. She’d been looking a little lost ever since coming home a few days before from a lunch at Ali Baba with her sister, Deborah, who was working as a research assistant in fine arts at the University of Pittsburgh. Deborah must have picked something up on the academic grapevine and sisterly passed it along. “I don’t suppose we’ve really been all that discreet.”
“Sara?” said Miss Sloviak. “That’s where the party’s going to be?”
“That’s right,” I said. “That’s where the party’s going to be.”
I T WAS ABOVE ALL a formal exercise in good behavior, the first staff party of the WordFest weekend, a preliminary shaking of hands before they rang the bell and the assembled guests all came out swinging. It was held early in the evening, for one thing, so that people had to keep dinner plates balanced in their laps; and then at around quarter to eight, just when supper was finished and strangers had grown acquainted and the booze began to flow, it would be time to go off to Thaw Hall for the Friday night lecture by one of the two most distinguished members of that year’s staff. For eleven years now the college, under the direction of Sara Gaskell’s husband, Walter, the chairman of the English Department, had been charging aspiring writers several hundred dollars for the privilege of meeting and receiving the counsel of a staff of more or less well-known writers, along with agents, editors, and assorted other New Yorkers with an astonishing capacity for alcohol and gossip. The conferees were housed in the college dormitories, left vacant over the spring holidays, and guided like passengers on a cruise ship through a tightly scheduled program of lit crit shuffleboard, self-improvement talks, and lessons in the New York publishing cha-cha-cha. The same kind of thing goes on all over the country, and I don’t think there’s anything wrong with it, any more than I find anything amiss in the practice of loading up an enormous floating replica of Las Vegas with a bunch of fearful Americans and whipping them past a dozen tourist-oriented ports of call at thirty knots. I usually had a friend or two among the invited guests, and once, several years ago now, I came across a young man from Moon Township with a short story so amazingly good that on the strength of it alone he was able to sign up an unwritten novel with my agent, a novel long since finished, published to acclaim, sold