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Joanna found a perfectly formed cockleshell that the boy immediately brought up to his ear. He laughed at the sound and she smiled to see it. Still, she could not help but feel apprehensive, even in her delight at her new young friend. It throbbed right underneath the idyllic moment, just below the surface.
    There was something not quite right about the three dead birds on the beach this morning, the ones she had buried a little ways away in the sand, but Joanna could not put her finger on it just then. Was it a threat? Or a warning? And for what? And from whom?

chapter four
    Every Little Thing
She Does Is Magic
     
    B efore acquiring a certain curly-haired bartender last fall, the North Inn bar was a sleepy little place, the kind of shabby pub that locals liked to congregate in to trade gossip and visit with one another without having to fight scores of inebriated preppies for a table. Memorial Day meant that summer had officially arrived, and even if the town was obscure and unknown, the seasonal swell of tourists to the East End brought a good number of visitors who found themselves within the city limits, and several new establishments had begun to cater to this crowd. But not the North Inn. The well drinks were strong and cheap, and other than a decent view of the water, that was pretty much all it had going for it.
    How things had changed. It was still a local place but it was no longer quiet or hushed. The joint, as they said, was jumpin’, and did it ever. There was a loud, throbbing jukebox that played only the good stuff, when rock ’n’ roll was performed by real rock stars—yet another dying breed of the new era. Men in tight pants who sang lustily about women, drugs, and depravity had been consigned to celluloid parody or reality-TV rehabilitation. The old rock swagger was the exclusive province of rap music now, the only genre that still celebrated indulgence in all its forms. The boys with guitars had turned to writing moody little songs, safe little emotional ditties that no one could dance to.
    Freya liked rap just fine, and was known to blast the latest gangster throw-downs now and then, but at the North Inn she preferred the classics. The Brits: The Sex Pistols. The Clash. The ’70s rock-opera–stylists: Queen. Yes. Early Genesis (this was crucial— Peter Gabriel –led Genesis, not the earsore it became under Phil Collins). Metal: Led Zeppelin. Deep Purple. Metallica. Party Rock: AC/DC. Def Leppard. Mötley Crüe if she was feeling a tad ironic. Since she’d arrived to work at the North Inn, the place was always blasting with the screech of guitars and the fist-pumping dance-floor anthems that drove the crowd to its feet. But next to the drinks she poured, the music was almost irrelevant.
    The redheaded bartender had a way of making the cocktails just right: the gin and tonics tart and bracing, the dark and stormies luscious with bite. It was a party every night, and every evening ended with patrons dancing on the bar, losing their inhibitions and occasionally their clothing. If you came into the North Inn alone and feeling blue, you left with either a new friend or a hangover, sometimes both.
    However, a week after her engagement party, the bar, like Freya, was a bit subdued. While the music was still loud and strong, it had an underlying mournful echo. The Rolling Stones sang “Waiting on a Friend”: I’m not waiting on a lady, I’m just waiting on a friend . . . , the cocktails were limp and sweet, the gin fizz didn’t fizz, the champagne was flat, the beer turned lukewarm after only a few minutes. It was just like the engagement party, but worse. She was glad Ingrid wasn’t around to notice; she didn’t want her sister any more suspicious than she already was. What happened with Killian that evening had been an impulsive act, but it was over now and everything would be all right. There was no need to panic. So what if all she could dream about was Killian? So what if he had invaded her