Wild Child: Girlhoods in the Counterculture
Everything.
    She stopped in and asked the cashier if they had any sheet metal. The store was a kind of counterculture supermarket, stocked with incense, bolts of cotton, paraffin, books on homesteading, yarn and looms. But it seemed that ‘everything’ didn’t include sheet metal.
    ‘What do you want it for?’ the woman asked. It was a slow day in the store. Had there been a line of customers, impatient to buy beeswax and clay, our lives might have taken a different turn.
    ‘I need to patch a hole in the side of my mail truck,’ my mother said.
    ‘Well’ the woman offered, ‘we don’t have sheet metal, but we have Jim, and he has a mail truck, too.’ She yelled toward the back room, and out loped my future stepfather, a handsome lanky man in square-toed Frye boots, smiling an easy smile.
    Jim came out to the curb and looked over the rust spots. He and Mother talked about their vans, how much they’d paid at auction, where they were headed. Jim also had his eyes on Mexico. And at the very moment my mother dropped by, he had been building a kiln in the back of the store for the Earth Guild’s pottery studio. It seems she had stumbled on a man who could help her turn her schemes into brick and wood. By the time they finished talking, the sun was low in the sky and they had a date to change their oil together.
    Jim had embraced the counterculture, but not on political terms. He wore hand-painted ties, listened to the Stones, and collected Op Art. When he met my mother, he was living in a commune in Harvard Square called The Grateful Union. ‘Those guys were uptown,’ my mother says. ‘Into spare living and Shaker furniture.’
    She and Jim soon made plans to head across the country under the same roof. We would take his truck, since it was considerably cozier than my mother’s. A platform bed stretched across the width of the van, and a hinged half-moon table folded down from the wall and perched on one leg. We ate sitting cross-legged on the mattress. The walls were lined with bookcases, fitted with bungee cords to hold the volumes in place. On a shelf just behind the cab was our kitchen: a two-burner propane cooking stove, a tiny cutting board, and a ten-gallon water jug. Jim covered the metal floors with Persian rugs and hung a few ornaments on the wall: a plaque with the Chinese characters for peace, prosperity, and happiness; a yellow wicker sun.
    Before we set out, Jim bought a small wood stove and bolted it to the floor near the back wall. The smokestack jutted out the side of the truck, the hole weather-sealed with the fringe from a tin pie plate. One of Jim’s friends from The Grateful Union wired a stereo system into the van, and Mother sewed heavy denim curtains that attached to the window frames with velcro, so we could have privacy at night. The engine on these snub-nosed trucks bulged into the cab and was housed by a metal shell that served as a shelf for bags of mail. Jim cut a piece of thick foam just the shape of the engine cover, which would be my bed. A perfect fit. I was about the size, in those days, of a sack of mail.
    In the spring of 1970, we packed up our essential belongings and set out on a year-long journey across the country, down the eastern seaboard and then across the low belly of the continent to California. The thrill of traveling sustained me for a while, but it was a difficult age to be rootless. I played with other kids for a day or two at a campground or a city park, and then we drove on. After a day on the road, Mother tucked me in on my foam pad, warmed from below by the engine’s heat. In the footwell below me was a small pot we peed in during the night, and so I drifted off to the smell of urine and the tick of the cooling pistons. Now and then, when we were parked on some dark residential street, I would wake to the knock of a policeman, asking us to move along.
    And move along we did, until our funds started to run thin, and Mother and Jim began to search for a piece
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