Tags:
United States,
Fiction,
General,
Historical,
Juvenile Nonfiction,
People & Places,
Juvenile Fiction,
Fantasy & Magic,
Occult fiction,
Girls & Women,
Witchcraft,
Poetry,
Novels in Verse,
Trials (Witchcraft),
Salem (Mass.),
Salem (Mass.) - History - Colonial period; ca. 1600-1775
name
from not twenty paces away.
Isaac hands back my bonnet
and with a fast wave good-bye,
he makes his leave of me.
A NEW WITCH ACCUSED
Ann Putnam Jr., 12
Uncle Edward asks, âAnn, what clothes
doth Goodwife Corey wear when she attacks ye?â
My breath quickens, and I gasp like I be drowning.
I cannot see what clothes Goody Corey wears.
âI cannot see the Invisible World,â I say.
âI feel Goody Corey choke and prick me.
She tells me it is her who torments me so.
She says my sight will not return until evening
and then she will pay me off for daring
to name her to you.â I collapse under my words.
Uncle and Deacon seem satisfied
with my explanation, satisfied
as one feels after a hearty meal.
The men journey off to Martha Corey.
Only Mercyâs eyes contain questions.
HEARSAY
Ann Putnam Jr., 12
Mercy looks up at me as she lifts the baby.
I feel tall. She motions for me
to press my ear against her lips.
âWho is Martha Corey?â she asks.
âFather and Reverend Parris say
Goody Corey speaks against
the existence of witches in our village.â
âAnn, dear.â Mother stands behind me.
âWhisper not in Mercyâs ear.
I can hear plain what you say.â
She sits on the ottoman.
âGoody Corey also gave birth to a child
out of wedlock with one of her slaves,
or maybe âtwas just a servant,
but the baby was not only Puritan white.â
âSo then all believe her to be a witch,â
Mercy says.
âNot all, for Martha Corey be pious
and a church member,â Mother says,
and smooths the hair off my forehead.
âBut she will be judged a witch.â
FIRST SIGHT
Mercy Lewis, 17
Master Putnam tests his daughter
like a cruel schoolmaster.
He walks her tormentor, Martha Corey,
into the house. Ann bends and shrivels,
and when she claims Goody Corey
is the cause, her tongue shoots
from her mouth and her teeth
clench down on it until blood comes.
When I bend to aid her,
Ann whispers to my ear alone,
âDo you not see a man on a spit,
Goody Corey roasting him like a boar?â
She squeezes my hand,
but I yank it away. I feel a pang of pity
for her, but âtis not my place to bear
her fatherâs investigation.
Ann says, âI see the Invisible World.
There,â and she points to the left.
âA man skewered on a stick
turns roasting like a boar.
And Goody Corey turns the spit.â
âCome, Mercy.â Annâs whisper to my ear
is a plea and a command. âCome with me, now.â
I shake my head at Ann.
Hot as the man roasting on the stick
I feel the eyes of the Putnam men
scathe my skin.
I wish for twelve shawls
to burrow beneath,
for my own dress feels ripped apart.
I split and chasmâAnnâs voice calls,
âHere, Mercy.â She offers me a place
the others cannot touch,
a place I can crawl inside and wear as home.
I blink my eyes. Mister Putnam
and the other men blur to a low hum.
But will any believe the servant girl
sees the Invisible World?
Annâs moaning and writhing envelop me.
I let myself slip into the cavern.
I fathom Goody Coreyâs specter
strikes me swift with an iron rod.
I fall in pain worse than a whipping,
and gasp, âI see it too! I see it too!â
Ann points at the real Goody Corey.
âMake her go.â
Master Putnam sends Goody Corey away.
My limbs twist and shake
even more violently than Annâs,
for I am bigger than she.
It takes three men to hold me down,
though none seem unhappy for the task.
The night cools and howls
near midnight.
But only Wilson dares
close his eyes.
The wooden chair
I rest upon trembles, then rocks
back and forth on its legs.
All believe âtis the witches
who tremor my chair.
The men study my every movement,
but this staring be reverent.
WHAT IS GOOD, WHAT IS GREAT AND WHAT IS AMAZING
Ann Putnam Jr., 12
What is good about witches
is that when I call out
J. S. Cooper, Helen Cooper