to her, these animals, and she had, it seemed, hundreds of them, all of which she loved for a day or two until another in the room caught her eye. So he put the armadillo on a crowded shelf with another twenty once-loved animals and she rolled over onto the star-nosed rabbit and he went down the hall to his bedroom and his sleeping wife.
In the morning Chloe came into the kitchen with the armadillo balanced on her head. Carrie was packing the lunchbox for preschool and her stomach dropped at the sight of the animal, whom she had seen first thing that morning, tucked on a shelf, only a fraction of it visible, when sheâd crept into Chloeâs room to do the same and found the deed already done.
âLook what Michael can do!â Chloe said.
Dan set down his coffee. âWhereâd you get that?â he asked.
âNana sent him,â she said, spinning in circles.
âI know,â he said. âI mean . . .â
Chloe stopped spinning. âCan I take Michael to school?â
âNo,â Carrie said, narrowly missing severing her entire thumb while slicing a pear. Or maybe that would be preferable, she thought. Things would have to be done, ambulances called, digits reattached, bloody counters scoured. No one would think about an armadillo.
âHow come?â
Carrie shook her head. âYou donât take toys to school.â
âSometimes I do,â Chloe said. She scooched out her chair and sat down in front of her Cheerios, the armadillo still perched on her head. âFor show and tell.â
âNot today, honey,â Carrie said.
âButââ
âChloe, the answer isââ
âIf she wants to take him to school, let her take him to school,â Dan interrupted. âItâs her armadillo.â
âYay!â Chloe said.
Carrie ran her tongue over her teeth. Sheâd just be quiet; that was best.
Dan solemnly crossed his arms and addressed the puppet on his daughterâs head. âNow, Michael,â he said. âThis is a very serious matter. I have to ask you: Do you want to be in show and tell?â
âHe does!â Chloe shouted.
âItâs not for the faint of heart, Michael,â Dan said. âEveryone will be looking at you. Youâll be on display for all to see. Are you prepared for that, Michael?â
âDaddy, he wants to!â
âDo you understand what weâre asking of you, Michael?â
Okay, then, Carrie thought, pitching Baggies into her daughterâs lunch box. All right, then. This was how it was going to be. This was how he had chosen to play it. Okay. Accept. Accept and adjust. This was the price. This was the price you paid. Once, during the months of letters, she had written his name all over her body with a big red marker. Sheâd done it on her lunch hour, at work, in a bathroom stall, breathlessly, the tip of the pen like the tip of a finger. She had walked around for an entire day with him under her clothes, his name in thick letters on her stomach, her upper arms, her thighs. She lay in bed with the word still there, her heart pounding, knowing if Dan turned to her and started something that all might be revealed. Sheâd been out of her mind, sick with desire. This was the price you paid for something like that.
When sheâd come home that day, that terrible day, and found dinner on the table, the house clean, Dan still there, she realized her subconscious plan had gone awry. If only her plan had been just a little less sub she would have surely seen the obvious holes, been able to play out the possible scenarios. She had thought Dan would leaveâthat was why (subconsciously why, of course) sheâd told him the truthâand now he hadnât left, apparently had no intention of leaving, and now her conscious self was left with the mess made by the subconscious. What was she supposed to do now? âWeâre going to be okay,â heâd
Melissa Yi, Melissa Yuan-Innes