for the pleasure of hearing her laughter. This went on until her mother had to stop the whole practice after baby Noria developed sores under her armpits. After that, when she was tickled she did not laugh but cried instead, which seemed to spread a cloud of sadness, not only among those who heard her cry, but throughout the whole mountain village.
We felt that Toloki should not have been overly jealous of Noria. Although we always remarked, sometimes in his presence, that he was an ugly child, he was not completely without talent. He was good with crayons, and could draw such lovely pictures of flowers, mountains and huts. Sometimes he drew horses. But he never drew people. Once he was asked to draw a picture of a person, but his hand refused to move. When he went to school, he would just sit there and draw pictures while the teacher was teaching. Come to think of it, neither Toloki nor Noria paid much attention to school work from the very first day they were registered at the village primary school. But then they were not the only children who did not pay much attention to school work. Toloki drew his pictures not only in class during lessons, but also during break when other children were playing football with a tennis ball on the road near the school.
There was the time when a milling company sponsored a national art competition for primary school pupils. Those pictures that conquered the eyes of the judges won prizes of books. One of Tolokiâs pictures, the only entry from the village, won a prize. The big man from the milling company drove all the way from town to the village primary school to award theprize of books to Toloki. The principal asked all the pupils to assemble in the big stone building that served as a classroom for Standards Three, Four and Five, and also as a church on Sundays, just as they did for the morning prayers, and the prize was awarded in front of everybody. Words were spoken that day that filled Tolokiâs heart with pride, and for the first time in his life he felt more important than everyone else, including Noria. After school, filled with excitement, he ran home with his new books, and went straight to his fatherâs workshop.
âFather, I have won a national art competition. I got all these books.â
âGood.â Jwara did not look at Toloki, nor at the books. There were no horses to shoe, no figurines to shape. He was just sitting there, staring at hundreds of figurines lined up on the shelves where they were fated to remain for the rest of everybodyâs lives. And he did not even look at his son.
âFather, I have a picture of a beautiful horse here. It is a dream horse, not like the horses you shoe. Why donât you shape it into a figurine too?â
âGet out of here, you stupid, ugly boy! Canât you see that I am busy?â
Toloki walked out, with tears streaming down his cheeks. How he hated that stuck-up bitch Noria!
If Jwara ruled his household with a rod of iron, he was like clay in the hands of Noria. He bought her sweets from the general dealerâs store, and chocolate. Once, when the three friends, Nefolovhodwe, Xesibe and Jwara, were sitting under the big tree in front of Xesibeâs house, playing the morabaraba game with small pebbles called cattle, and drinking beer brewed by That Mountain Woman (who always had a good hand in all matters pertaining to sorghum), Xesibe complained, âYou know, Jwara, I think you spoil that child. You pamper her too much with good things, and she is now so big-headed that she wonât even listen to me, her own father.â Poor Xesibe, he wasnot aware that at that very moment That Mountain Woman was sitting on the stoep, not far from the three friends, sifting wheat flour that she was going to knead for bread. She heard her husbandâs complaint, and she shouted, âHey, you Father of Noria! You should be happy for your daughter. You are a pathetic excuse for a father. Or did