with what look like telephone poles. I look behind them, straining to see what follows. The moon slips out for a second, shining its bluish light on what might be freight cars.
I start running, moving the same direction as the train. My feet slip in the sloping gravel—it's like running in sand, and I overcompensate by pitching forward. I stumble, flailing and trying to regain my balance before any part of me comes between the huge steel wheels and the track.
I recover and pick up speed, scanning each car for something to grab on to. Three flash by, locked up tight. They're followed by stock cars. Their doors are open but filled by the exposed tail ends of horses. This is so odd I take note, even though I'm running beside a moving train in the middle
of nowhere.
Water for E l e p h a n ts
I slow to a jog and finally stop. Winded and very nearly hopeless, I turn my head. There's an open door three cars behind me.
I lunge forward again, counting as they pass. One, two, three I reach for the iron grab bar and fling myself upward. My left foot and elbow hit first, and then my chin, which smashes onto the metal edging. I cling tightly with all three. The noise is deafening, and my jawbone bangs rhythmically on the iron edging. I smell either blood or rust and wonder briefly if I've destroyed my teeth before realizing the point is in serious danger of becoming moot—I'm balanced perilously on the edge of the doorway with my right leg pointed at the undercarriage. With my right hand I cling to the grab bar. With my left I claw the floorboards so desperately the wood peels off, under my nails. I'm losing purchase—I have
almost no tread on my shoes and my left foot slides in short jerks toward the door. My right leg now dangles so far under the train I'm sure I'm going to lose it. I brace for it even, squeezing my eyes shut and clenching my teeth.
After a couple of seconds, I realize I'm still intact. I open my eyes and weigh my options.
There are only two choices here, and since there's no dismounting without going under the train, I count to three and buck
upward with everything I've got. I manage to get my left knee up over the edge. Using foot, knee, chin, elbow, and fingernails, I scrape my way inside and collapse on the floor.
I lie panting, utterly spent.
Then I realize I'm facing a dim light. I jerk upright on my elbow.
Four men are sitting on rough burlap feed sacks, playing cards by the light of a kerosene lantern. One of them, a shrunken old man with stubble
and a hollow face, has an earthenware jug tipped up to his lips. In his surprise, he seems to have forgotten to put it back down. He does so now and
wipes his mouth with the back of his sleeve.
"Well, well, well," he says slowly. "What have we here?"
Two of the men sit perfectly still, staring at me over the top of fanned cards. The fourth climbs to his feet and steps forward.
He is a hulking brute with a thick black beard. His clothes are filthy, Sara Gruen and the brim of his hat looks like someone has taken a bite out of it. I scramble to my feet and stumble backward, only to find that there's nowhere to go. I twist my head around and discover that I'm up against one of a great many bundles of canvas.
When I turn back, the man is in my face, his breath rank with alcohol. "We don't got room for no bums on this train, brother. You can git right back off."
"Now hold on, Blackie," says the old man with the jug. "Don't go doin' nothing rash now, you hear?"
"Rash nothin'," says Blackie, reaching for my collar. I swat his arm away. He reaches with his other hand and I swing up to stop him. The bones in our forearms meet with a crack.
"Woohoo, " cackles the old man. "Watch yourself, pal. Don't you go messin' with Blackie."
"It seems to me maybe Blackie's messing with me," I shout, blocking another blow.
Blackie lunges. I fall onto a roll of canvas, and before my head even hits I'm yanked forward again. A moment later, my right arm is twisted
I start running, moving the same direction as the train. My feet slip in the sloping gravel—it's like running in sand, and I overcompensate by pitching forward. I stumble, flailing and trying to regain my balance before any part of me comes between the huge steel wheels and the track.
I recover and pick up speed, scanning each car for something to grab on to. Three flash by, locked up tight. They're followed by stock cars. Their doors are open but filled by the exposed tail ends of horses. This is so odd I take note, even though I'm running beside a moving train in the middle
of nowhere.
Water for E l e p h a n ts
I slow to a jog and finally stop. Winded and very nearly hopeless, I turn my head. There's an open door three cars behind me.
I lunge forward again, counting as they pass. One, two, three I reach for the iron grab bar and fling myself upward. My left foot and elbow hit first, and then my chin, which smashes onto the metal edging. I cling tightly with all three. The noise is deafening, and my jawbone bangs rhythmically on the iron edging. I smell either blood or rust and wonder briefly if I've destroyed my teeth before realizing the point is in serious danger of becoming moot—I'm balanced perilously on the edge of the doorway with my right leg pointed at the undercarriage. With my right hand I cling to the grab bar. With my left I claw the floorboards so desperately the wood peels off, under my nails. I'm losing purchase—I have
almost no tread on my shoes and my left foot slides in short jerks toward the door. My right leg now dangles so far under the train I'm sure I'm going to lose it. I brace for it even, squeezing my eyes shut and clenching my teeth.
After a couple of seconds, I realize I'm still intact. I open my eyes and weigh my options.
There are only two choices here, and since there's no dismounting without going under the train, I count to three and buck
upward with everything I've got. I manage to get my left knee up over the edge. Using foot, knee, chin, elbow, and fingernails, I scrape my way inside and collapse on the floor.
I lie panting, utterly spent.
Then I realize I'm facing a dim light. I jerk upright on my elbow.
Four men are sitting on rough burlap feed sacks, playing cards by the light of a kerosene lantern. One of them, a shrunken old man with stubble
and a hollow face, has an earthenware jug tipped up to his lips. In his surprise, he seems to have forgotten to put it back down. He does so now and
wipes his mouth with the back of his sleeve.
"Well, well, well," he says slowly. "What have we here?"
Two of the men sit perfectly still, staring at me over the top of fanned cards. The fourth climbs to his feet and steps forward.
He is a hulking brute with a thick black beard. His clothes are filthy, Sara Gruen and the brim of his hat looks like someone has taken a bite out of it. I scramble to my feet and stumble backward, only to find that there's nowhere to go. I twist my head around and discover that I'm up against one of a great many bundles of canvas.
When I turn back, the man is in my face, his breath rank with alcohol. "We don't got room for no bums on this train, brother. You can git right back off."
"Now hold on, Blackie," says the old man with the jug. "Don't go doin' nothing rash now, you hear?"
"Rash nothin'," says Blackie, reaching for my collar. I swat his arm away. He reaches with his other hand and I swing up to stop him. The bones in our forearms meet with a crack.
"Woohoo, " cackles the old man. "Watch yourself, pal. Don't you go messin' with Blackie."
"It seems to me maybe Blackie's messing with me," I shout, blocking another blow.
Blackie lunges. I fall onto a roll of canvas, and before my head even hits I'm yanked forward again. A moment later, my right arm is twisted
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