always thought. What could a piece of paper and some legal jargon do to alter that?
That day, struggling along the street to where the car was parked away from the house, with his two suitcases and his jazz records in two plastic bags he was praying wouldnât give at the handles, he had felt a great elation. The house lay behind him like a discarded uniform. He wasnât who they had all thought he was. He was a mystery, even to himself. He would be defined by her. Her, wherever she was. Since his teens, lying in bed at night, he had seen her dimly from time to time, as behind a veil, an ectoplasm of limbs, a floating, half-glimpsed smile like a butterfly in moonlight. It was time to take off the veil, to touch the solidity of her presence. He felt as dedicated as a medieval knight. Where would his journey take him?
It took him first of all to 53 Gillisland Road. He rented a single room with a gas-fire that worked on a coin-meter, apapered ceiling which looked as if somebody had started to strip it and then grown bored, a single bed and a moquette suite so larded with the past that John wondered if the settee had doubled as a dinner table. There was a shared kitchen, a shared lavatory. There were in another room two boys from the Western Isles who sang in Gaelic when they were drunk, which appeared to be every night. Their names emerged, from midnight meetings in the kitchen to make coffee, as Calum and Fraser. They were full of oblique jokes only understood by each other, like a touring vaudeville team who hadnât yet adjusted to the local sense of humour. There was Andrew Finlay, a fifty-five-year-old recent divorcee with a cough that preceded him everywhere like a town-crier. He still couldnât believe what had happened to him. He was given to knocking at doors throughout the evening until he found someone who could confirm for him that he was really there. John became a frequent victim and had learned to dread that cough, like the lead mourner bringing in his wake the funeral for himself that was Andrew Finlay. There were others who remained no more to John than the same song played again and again or a flushing cistern. The house had once been the sort of place Katherine had always wanted and then it had fallen on hard times and been divided into bedsits, so that John felt he had become a lodger in his own past.
It wasnât a happy thought. But he decided that the seediness of his present, ironic in relation to his shimmering mirage of the future, was only temporary. His present was the frog. Come the kiss . . . But he didnât seek it promiscuously. The strength of his romanticism lay in not devaluing the dream. Only once in the three years or more they had been apart had he become seriously involved with a woman, wondered if at last this was the one.
Sally Galbraith worked in one of the offices he visited. She was in her thirties, divorced, with a daughter. She had luxuriant brown hair, gentle eyes and quite marvellousbreasts. But it was her smile that had brought her into sharp focus out of the crowd scene that was his thoughts about women. The smile was quite unlike most of the smiles that met him on his rounds â âdo not disturbâ signs hung on the mouth while, behind them, the eyes went on with private business. The smile was disturbingly genuine. It was attached to the eyes and seemed personal to him. He felt they were sharing something, an immediate rapport. It was as if he knew her already, but he managed not to say that.
âYouâre new,â he said instead, and didnât feel it was much more dashingly original.
âAm I? I donât feel as if I am.â
He liked that.
âI wouldâve remembered you.â
âIâve just started.â
âWho do I call you?â
âSally.â
âJohn.â
He had carried that conversation around with him all day and taken it back at night to his room in Gillisland Road and opened it up and