on the headland.â
âThat right?â said the man, not at all interested.
âYes. What do you do?â
âI keep this hut. Iâm the boss round here. My nameâs Trotter.â
âUh?â
âNo need to be surprised, man. How else you think I come to run a joint like this? What do I know âbout hotels? All my life I tell them I going to be a herbalist, and they push me into this job. Honey, you can take that fur coat off if you wantâthe boss ainât looking, and âbout every-one else gone watching my cousin ride through the streets.â
Foxe was a fairly reticent person with strangers, but there was something oddly appealing about this drunk young man that made him want to keep the conversation going.
âI was talking to your cousin this morning, then,â he said. âHe brought his mother to look at my rats.â
Mr Trotterâs eyes widened.
âYou hear this, honey?â he called softly. âThis gentleman been talking with the Old Woman this morning.â
The girl stopped smiling, put a finger to her tongue and drew a little cross on her forehead.
âShe struck me as a pretty formidable figure,â said Foxe.
âFormidable! You got the word for her. Formidable! Sure. She try anything. She try anything. She donâ know nothing, but she got the power, and she try anything!â
His voice was losing its clipped, neutral accent and becoming closer to that of the poorer Islanders, deep and a little slurred, with a rhythm that brought some sentences to the verge of song.
âShe tried to tell my boss a spell about planting melonpips on a virginâs grave,â said Foxe.
Mr Trotter gave a sour laugh.
âThis one everybody know,â he said. âSure, sure, all the little girls. I take you up the cemetery, show you graves with twenty, thirty melon-plants growing there!â
âDoes it work?â asked Foxe.
Mr Trotter reverted to more learned tones.
âCourse not,â he said. âWrong kind of melon, wrong grave, wrong phase of Venus, wrong words to say on the grave ⦠Oh, it work with the Old Woman if she try it. It work for her with a plastic tulip from a Datsun show room. She got the power!â
âHavenât you?â
âA little bit. Just a little bit. I ainât so interested in that. Iâm after the knowledge .Listen here. Thereâs a little tree grows on Main Islandâ Ferdinandusa hirsuta âglittery long leaf, hairy stem, red flower like a bunch of little ball-point pensâwe call it the sorry-bush. Reason why, itâs a little poisonous, not enough to kill you, but you try smelling one of those flowers and you cry all morning. Sorry you smelt it. Sorry-bush, see?â
Foxe nodded. He realised now why he felt at home with Mr Trotterâhe was a creature of the same kind as himself, who knew his subject well and liked to talk about it.
âOK,â said Mr Trotter. âAll the little girls know that. Hide a piece of sorry-bush in a bunch of flowers and send it to the girl who steals your boy, make her sorry, see? That ainât knowledge . But listen. Every sorry-bush got one little leaf on itâânother drink for the gentleman, honeyâjust one leaf. Now, suppose thereâs a feller wants to kill you. You find a sorry-bush, find this leaf, take it to the priest, give him a dash of money, tell him âHereâs this enemy wants to kill me.â OK, the priest takes your leaf and gives it a blessing. Saturday night he wraps it round one holy wafer. Sunday morning your enemy comes to Mass, and priest takes care to give him that one wafer. After Mass he gives you back the leaf. OK? Now, long as you keep that leaf, your enemy stops wishing to kill you. Still your enemy, sure, but not your murderer.â
âI see. And what you mean by knowledge is not knowing the story, but knowing which leaf to pick.â
âRight. And that I