water. Very carefully, Magda smoothed out a lock of her hair and plucked a single strand. She examined it, then placed it upon the surface of the silver bowl. She sat back, lips tight and eyes closed. After a moment she leaned forward.
In the copper dish was an object wrapped in newsprint. She began to unwrap it, until an untidy heap of old newspaper fluttered at her side and she held something slightly smaller than her own hand, swaddled in cloth. Magda grimaced as she unraveled the strands of rotting linen. Another smell overwhelmed the scent of burned hair: a smell of rot, but also of spices, acrid pepper and salt and the sweetish citric tang of vervain. She pushed aside the discarded wrappings, careful to keep the newspapers from coming too close to the candles in their heavy brass holders. Then she laid her prize upon the copper plate.
It was a hand. Perhaps three-quarters the size of her own, mummified and faintly green with mold, its flesh puckered and pocked with flecks of orange-and-white fungus. It had been dipped in wax, but much of that had cracked or turned to an oily scum upon the dried flesh. It sat upon the plate, fingers upcurled like the frozen appendages of a dead tarantula, fingernails furred with mold. Magda wiped her hands on a small towel and stared at it with distaste.
“Well.” She reached behind her for an unlit candle. Taking one of the gold-tipped matches, she lit it, then very slowly touched it to each of the fingers on the dead hand. A spurt of bluish flame. Black smoke thick as rope uncoiled from the fingertips and settled onto the floor. The room filled with the putrid smell of spoiled meat. Magda held her breath. After a moment the fingers began to glow with a faint yellow flame.
“Yes,” she murmured. She turned away, coughing delicately, and blew out me candle. The Hand of Glory burned with a steady, poisonous gleam, flames licking at its fingertips. Where the smoke touched the rug it left a heavy dark smear, like rancid fat.
She turned to the silver dish, where the single strand of hair floated, and spoke beneath her breath. The hair started to move. Magda Kurtz continued to murmur in the same quick, almost thoughtless manner; but her eyes were slitted with concentration.
Upon the surface of the water, patterns began to appear. Faint lines, dull red and black against the silvery surface. After a minute or so an image emerged. Blots of light and shadow that soon took on the contours of a face: a young man’s face. Magda fell silent. For a long time she stared at the image, her mouth tight. Then she breathed upon the water. The face disappeared into cloudy ripples. From the Hand of Glory came a spattering sound as a drop congealed upon the tip of one finger and burned in a small greasy cloud. Magda glanced aside, finally began speaking again.
Her words sounded no different this time, but the hair moved more slowly in response to her voice. It grew thicker, until it might have been a nematode squirming there, or some bloated larva. The water roiled and churned, and suddenly was still.
Within seconds the second image appeared: the face of a young woman with huge slanted eyes, their color unguessable, but an unmistakably beautiful girl. Magda gazed at the image thoughtfully. Finally she nodded and whispered.
“I thought as much.”
She held her hand above the bowl, touched the water with a finger. The hair writhed like a worm upon a hook, with a soft hiss disappeared into a thread of white smoke.
“So,” said Magda.
So this was what the Sign portended. She almost laughed, thinking of her old friend and mentor Balthazar Warnick. “All for naught …”
For millennia the Benandanti had watched and waited for the awakening of their ancient enemy. For a resurgence of old ways, old deities; half-hoping that when their Sign finally came it might presage not Her return, but the arrival of a Champion, a Hero, a Second Coming of a Great Good Man. Omnia Bona Bonis.
But was this what
Laurice Elehwany Molinari